From a narrow slit in the thick steel hide of the British tank a light burst out. The blinding 13-million candlepower light pierced the darkness when a moment later the solid beam of light changed on the command of “Scatter!”
Reaching into the inky night the shaft of light began to strobe. It dazzled and disoriented the enemy who unwisely tried to take aim at its brilliant flicking beam. With the adversary illuminated and confused, the tank rolled through the countryside ready to finish off their foe. Continue reading “Scatter! Britain’s Secret Tank Weapon”
This shows Hollywood stars Clark Gable and Joan Crawford indulging in a cigarette in the 1934 film Chained.
Despite the many health risks associated with smoking tobacco, in the Golden Era, cigarette smoking was a fashion statement that showed the smoker to be a classy person. Indeed, many a student bedroom is adorned with the iconic photograph of Audrey Hepburn with cigarette holder clinched betwixted gloved fingers.
Continue reading “Tobacco’s Golden Era”
Whenever a new technology is introduced, whether on the battlefield or at home, there is always a brief period when inventors, unfamiliar with the new concepts, begin experimenting with designs and plans, trying to push innovation to the limit. While these experiments occasionally produce useful results, the great majority end up on the scrap heap of history.
One such forgotten experiment was the A7V Sturmpanzerwagen, an early German attempt at creating a battle-ready tank. Continue reading “A7V Sturmpanzerwagen”
With the gaming marketplace dominated by a glut of World War II-themed shooters, it is always refreshing to see titles experiment with depictions of obscure or allohistorical conflicts.
While Iron Storm, created by defunct French developer 4x Studio and released in 2002, takes the First World War as its starting point, it borrows and combines elements from the long history of twentieth-century warfare to create a darkly surreal experience that should surely appeal to particularly the dieselpunk enthusiast.
Rather appropriately, Iron Storm is set in an odd little history that would warm the heart of a 1920s pulp novelist.
Continue reading “Iron Storm”
Throughout World War II, Allied policymakers pondered how to rearrange the world once victory was achieved. Oftentimes their thinking confined itself to the outlines of postwar Europe, but some schemes were more ambitious. Continue reading “New World Order”
Besides tulips and cannabis, the Netherlands now has a more colorful, and perhaps even more addictive, export product: the video game Killzone, developed by the Amsterdam-based Guerilla Games.
The first Killzone shooter was released back in November 2004 and, in spite of average reviews, sold more than two million copies worldwide. In just a few days, on February 27, the third game in the franchise will go on sale and already over one million have been preordered in Europe alone.
So what is all the fuss about?
Continue reading “Killzone”
Gone with the Blastwave is a post-apocalyptic comic by Kimmo Lemetti from Finland. He occasionally — though unfortunately not often — uploads a new installment, but there are plenty of old stories on his website to keep you amused for a while.
Although the quality and humor of Gone with the Blastwave is not in doubt, we wonder whether to call it dieselpunk.
Continue reading “Gone with the Blastwave”
On July 28, 1938, at the Cammell Laird shipyard in Birkenhead, England, the flagship of the new Cunard White Star Line was launched. In honor of the proud and record-breaking vessel that served Cunard between 1906 and 1934, this ship was christened Mauretania and — like her predecessor — destined to become a favorite among transatlantic travelers because of her speed and luxury.
Continue reading “RMS Mauretania”
No film genre has been as beloved by dieselpunks as film noir and, for many, the first glimpse of this classic American genre was through the subsequent attempt to revive it.
This genre, generally referred to as neo-noir, is probably best known for its fusion with cyberpunk in Blade Runner (1982). However, one the oldest and purest examples of the neo-noir genre came in the form of the period film Chinatown (1974), directed by the infamous Roman Polanksi.
Continue reading “Chinatown”
With Hollywood reverting back into its archives for added inspiration for narrative ideas, we find a recent trend of nostalgic hindsight to the age of the Roaring Twenties and the 1930s. This seems to have infiltrated gradually the science-fiction genre that is emerging in contemporary cinema.
Films like Sky Captain and the World of Tomorrow (2004) and The Mutant Chronicles (2008) have perhaps inspired the intrigue in the early first half of the last century. Other recent films like Indiana Jones and the Kingdom of the Crystal Skull (2008) and The Spirit (2008) have sparked new interest in the previous century, overcast with economic turmoil, lawlessness on the streets and in politics and the ever-present dystopian sentiment toward a near-hopeful future with the potential of war hanging in the balance.
We must also not forget the alternative historical elements of the times, when people perceived a future that could at one time or another have been dominated by the totalitarian powers, specifically the Nazi regime — evoking concepts of the supernatural and Über-technology that was revolutionized by the whacky radicalism of engineers and scientists of the time. Such themes promoted in the independent feature Iron Sky — which alludes to what would have happened if the Nazis had escaped to the Moon — present the growing fascination with the emerging genre of dieselpunk.
Continue reading “The History of Dieselpunk II: Diesel Classics”