Tamara de Lempicka artwork

The Art of Tamara de Lempicka

Tamara Łempicka (1898-1980), known as Tamara de Lempicka, was a Polish artist who lived in Paris between the world wars and relocated to the United States in 1939.

Her breakthrough came at the 1925 International Exhibition of Modern Decorative and Industrial Arts, which gave its name to the Art Deco movement. She exhibited her paintings in two of the exhibition’s venues, where they were spotted by journalists from Harper’s Bazaar and other fashion magazines. Exhibitions in Italy and the United States followed.

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Jungle Book Jive Disneyland Paris France

The Lion King and Jungle Festival

The Lion King and Jungle Festival premiered in Disneyland Paris this summer. The event comprised, as you can guess from the name, all sorts of bits and bobs from The Lion King and The Jungle Book. Which was quite clever, considering the recent live-action releases of both movies.

Over the last few years, Disneyland Paris has been stepping up their game when it comes to additional shows and parades for their temporary events, and this was no different. Rather than combining the two movies, they had a Lion King-themed show called Rhythm of the Pride Lands with a little dance from Timon called MataDance (it was 40°C the day I was there, so I skipped that in favor of shade) and you could meet Rafiki during a special lunch at the restaurant Hakuna Matata.

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Wild Wild West Con Tucson Arizona

Are Steampunk Events Really Thriving?

When I excluded events from my analysis in “Who Killed Steampunk?“, critics said I was overlooking the most thriving part of the steampunk movement. Book sales may be down; blogs and magazines may have closed; Hollywood may have lost interest in the genre, but conventions, some said, are booming.

I’m not much of a convention-goer, so I wouldn’t know. But if conventions and other events are where steampunk lives now, I ought to look into it.

So I did.

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Panji Andrian artwork

Revisiting Nostalgic and Melancholic Steampunk: Correcting the “Varieties of Steampunk Experience”

It’s been a long time since I left the steampunk scene and an even longer time since I should have. Yet as someone who writes a blog on historical film and literature should know, the past is inescapable. Hardly a month goes by when I’m not alerted by aggregators of academic journals — which I use for my offline life as a history and science educator — that my name has popped up in a paper about steampunk. Invariably these papers are referencing a piece I did over a decade ago in SteamPunk Magazine titled “Varieties of Steampunk Experience”.

Unfortunately, every single academic paper I have seen reference my piece has misinterpreted it, and misinterpreted it in almost exactly the same way. 

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Moorlander

Moorlander

Industrial rivalry, plots for murder, intrigue, politics and a world where wondrous devices are engineered: Moorlander has it all.

At first glance.

The first in a series by Robert T. Bradley, this book takes you into a world where plots unfold all around the main characters.

The author has absolutely done his best to create a fully developed world with fleshed-out characters. It’s great that we’re not lacking backstory. But there is too much of a good thing.

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High Tech Low Life

High Tech Low Life

High Tech Low Life, the cyberpunk band from Okinawa, Japan, came as somewhat of a surprise to the European scene.

Not just a band, but an entire worldbuilding setting with their own characters and concept. Which is in itself nothing new, as many steampunk bands have done that. But their intent on doing better and saving the future is something done so well, I had to go and investigate.

So I sat down with the guys from High Tech Low Life to find out more about them and the terrible possible futures converging in 2069, which is, let’s face it, not that far away!

Which you can read right behind the piece about their music and concerts I witnessed. Stick with it til the very end, because there is a little giveaway!

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