Mauro Cerati is a concept artist for Streamline Studios in Malaysia, whose work includes beautiful steampunk versions of Moscow and what I think is Vienna.
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The Man in the High Castle
We’re written about Amazon’s The Man in the High Castle here at Never Was, but we never reviewed the series. Now that it’s in its fourth and final season, it’s worth taking a look back on this dieselpunk drama.
Season 1 follows Philip K. Dick’s 1962 novel, on which the TV show is based, pretty closely. The Axis have won have the war and North America is divided in two. The Germans control the Western Hemisphere, including Africa and the bulk of the former United States. The Japanese hold the East, including Alaska and the former states of Washington, Oregon and California. An unruly Neutral Zone in the Rocky Mountains separates the two empires.
The main character is Juliana Crain (Alexa Davalos), a resident of the Japanese Pacific States who is gradually immersed in an American Resistance movement led by Hawthorne Abendsen (Stephen Root), the eponymous “man in the high castle”. In the book, he is the author of an alternate-history novel in which the Allies won the Second World War. In the series, he produces films.
Their nemeses are American SS chief John Smith (Rufus Sewell) and his counterpart in the Pacific States, Chief Inspector Takeshi Kido (Joel de la Fuente). Both want to get their hands on the films and the man in the high castle himself.
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Mapping the Second World War in Africa
Following the Nazi conquest of Europe, the focus of the Second World War in the West shifted to Africa. Commonwealth forces joined with the Free French under Charles de Gaulle to drive the Italians out of East Africa and Cyrenaica. The war went so poorly for the Italians that Adolf Hitler had to send in Erwin Rommel, who managed to push the British halfway into Egypt before he was stopped.
The front switched back and forth several times, and for a while it seemed that the Axis might reach the Suez Canal, which would have put the British Empire’s supply lines in serious jeopardy. A decisive victory for the British at the Second Battle of El Alamein and American reinforcements in 1942 turned things around. The Axis powers were cornered in Tunisia, which would serve as a springboard for the Allied invasion of Italy.
Continue reading “Mapping the Second World War in Africa”Kabaneri of the Iron Fortress
Kōtetsujō no Kabaneri, or Kabaneri of the Iron Fortress, is a beautifully done anime, set in a post-apocalyptic Japan.
At the time of industrialization, a mysterious plague broke out, turning corpses into kabane, a kind of blood-drinking zombie that is extremely hard to kill. Get bitten and you turn into one. Die and you turn into a kabane. Or, if you’re lucky, a kabaneri, a halfbreed of man and kabane. Survivors live in stations along the route of heavily armored trains, known as iron fortresses.
It is in these stations and on these trains that we find the characters of this story.
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Nothing to See Here, Steampunk Is Doing Fine!
My “Who Killed Steampunk?” story from April continues to make the rounds with an unfortunately common reaction being to stick one’s head in the sand. Many people seem to believe that because they’re still doing steampunk, or because there is a well-attended steampunk event in their region, the entire movement must be doing fine.
The introduction to a recent op-ed by performer Professor Elemental in The Steampunk Explorer goes so far as to reassure readers that not only “everything is fine,” but steampunk is “better than it ever was in fact.”
It contains no evidence for this “fact”. I’m not even sure it’s what Elemental believes. In his op-ed, he recognizes that blogs and message boards have disappeared (although I think he’s overly optimistic when he writes, “Fewer blogs and message boards about steampunk means there are fewer blogs and message boards, not less steampunk”), that events have been canceled, and he has noticed the same attitude I blamed in April for “killing” steampunk: a tendency to scrutinize every steampunk costume, creation and story for signs of Eurocentrism, imperialism, misogyny and racism.
As Elemental puts it:
Continue reading “Nothing to See Here, Steampunk Is Doing Fine!”Subcultures like ours don’t do well under extreme scrutiny.
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Carnival Row, Season 1
Carnival Row, Amazon Prime’s neo-noir Victorian SteamGoth fantasy series, has come to the many fortunate enough to be able to watch it. Combining the worlds of the fae and humanity has never been so well done.
A lot of it is hitting a little close to home: immigrants trying to build a new life after fleeing their wartorn homelands, intolerance, discrimination, ghettos. It’s clear the creators took a good look at human history — Victorian, World War II-era and contemporary.
It shows, not just in the storyline, but in the cinematography. The wardrobes, the uniforms, everything. This is the best fantasy with horror elements since Penny Dreadful (our review here) and it is a shame it isn’t more easily available, because it has a strong story with a talented cast.
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The Fabulous Locations of Thunderbirds
Last month, we listed the most fabulous vehicles of Thunderbirds, the 1960s marionette science-fiction show about the Tracy family and their International Rescue organization, set in the 2060s.
International Rescue is headquartered on a remote island in the South Pacific, the most recognizable location of the franchise. But the Thunderbirds visited plenty of other fabulous locations, from Lady Penelope’s Australian ranch to the Paradise Peaks Hotel, high up in the Alps, to Cape Kennedy.
Let’s take a trip around the word of Thunderbirds!
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The Art of Hanamity
“Hanamity” is the alias of a Russian artist. Many of his works are set in an alternative 1920s, straddling the boundary between steampunk and dieselpunk.
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Reversing the Rivers of Siberia
In late 1949, the Soviet Union claimed to have detonated a nuclear device to blow up a mountain range and start the reversal of two mighty rivers in Siberia: the Ob and the Yenisei.
The goal, Life magazine reported at the time, was to turn the arid desert of what is now Kazakhstan into a “pastoral landscape”.
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