9‘s marketing can make this animated film by Shane Acker seem deceptively childish. It revolves, after all, around talking rag dolls. But the movie can get disturbingly dark in a conceptual, atmospheric way that is absolutely unnerving.
The world of 9 is a post-apocalyptic hellscape with barely a sign of life. It is a world brought about by overuse of resources and man’s creations turning against him. This is a land of bombed-out houses and abandoned factories, where wreckage litters the cracked remnants of boulevards. It is a nightmare, one so awful there is no human left to dream at all.
Watch closely and it appears 9 is set in a dieselpunk world, where certain technological advances in the interwar era brought wrack and ruin to the world in a way reminiscent of, but in some ways scarier than, the firebombs and atomic weapons of World War II. At least those left survivors.
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Hungarian artist Tari Márk Dávid recreates icon midcentury pictures as well as posters and scenes from the ultimate dieselpunk game, BioShock (our review here and more BioShock art here).
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The Weimar Republic’s relation with Jews was contradictory at best. On the one hand, the republic was a first time of full citizenship for the German Jewish people, who became a driving force in the political and cultural life of Weimar. But on the other, it was during the republic’s time that antisemitism rose to upsetting levels.
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Mandatory Palestine is, to put it lightly, a controversial period. A writer sympathetic to Israel will say the British favored the Arabs. A writer sympathetic to the Palestinians will say the British favored the Zionists. My own view is that they were trying to keep a lid on the powder keg; one that blew off as soon as Clement Attlee pulled British troops out of the Holy Land in 1948.
It is in the last few months of British rule that The Little Traitor takes place. The movie concerns a young Jewish boy, Avi Liebowitz (played by Ido Port), nicknamed “Proffy” for his bookishness, who commits acts of anti-British vandalism. Despite this, he ends up bonding over intellectual topics with Sergeant Dunlop (Alfred Molina). Much of the conflict comes from the dissonance inherent to the friendship between the population under the foreign yoke and one of the chains keeping that foreign yoke in place.
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Good alternate history sticks close to real history. Philip Kerr forgot that cardinal rule in Hitler’s Peace.
The novel starts off promising enough. Kerr references real-world events, including Heinrich Himmler’s peace overtures to the Western Allies and the German plot to kill Winston Churchill, Franklin Roosevelt and Joseph Stalin at the Teheran Conference in 1943.
But he tries to do too much by featuring not one but two plots against the Big Three and throwing in too many historical characters, including the widowed wife of German security chief Reinhard Heydrich and British intelligence agent Kim Philby, who spied for the Russians, for seemingly no other reason than to mention their names.
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In the first half of the twentieth century, two world wars ravaged Europe. The fact that two horrible conflicts on a world scale were crammed into such a short time has always blown my mind. One would think that humans should be smarter than that. I mean, didn’t anyone learn anything from World War I? Why did World War II break out so shortly after that?
Well, what if the interwar years were not a time of peace between two wars at all, but were themselves a time of war?
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Space Sweepers is an action-packed science-fiction adventure that combines elements from other beloved spacefaring franchises, such as Star Wars, Firefly and Guardians of the Galaxy.
In the not too distant future, Earth is dying, humanity under the influence of an evil mastermind and UTS company CEO (never a good idea to let big tech get too much power!) James Sullivan has moved to Mars. The tiny percentage of people who have been allowed to join him live in a new Eden. The rest are left to rot and live in squalor and permanent debt on Earth or in non-citizen space towns.
Enter the motley crew of the salvage ship Victory, each with their own pasts and reasons to hate UTS, and one special little girl who holds the key to literal salvation.
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When I first learned of Overlord, I thought that it sounded like something out of the Alien Space Bats subforum of alternatehistory.com. I’m pretty sure I’ve seen threads with the exact premise of this movie: zombies in World War II. What studio executive green-lit this?
Pay close attention to the film, though, and you will see it has antecedents. It has a whiff of Inglorious Basterds and the zany historical carnage of a Wolfenstein game. If you’ve seen many World War II movies, you will notice something very clever: that this is not a zombie movie in Occupied France, but an old-fashioned World War II movie with zombies. The characters match the archetypes of midcentury war epics: gallant American servicemen, resourceful French resistance fighters, sadistic SS officers. This is a decision that makes the whole enterprise more original than it otherwise would be.
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When we hear about the Weimar Republic, most of us think to wheelbarrows of banknotes used to buy one loaf of bread or stakes of notes used to fuel stoves. In short, we think to the hyperinflation of the middle 1920s.
We might think hyperinflation was a specific German situation since we seldom heard of any other such. It wasn’t. In fact, most countries after World War I knew a period of hyperinflation, an occurrence that had never been uncommon after a war. But the German case was peculiar, researched and dissected in detail ever since because a lot of data were available in a time when data and charts were becoming more common. And anyway Germany was from the beginning a different case from all the others.
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Ian McQue is a concept artist and illustrator who has worked in the game industry for over twenty years, including as lead concept artist and assistant art director for the bestselling Grand Theft Auto series. He also drew covers for Philip Reeve’s Mortal Engines Quartet. His personal work includes a number of magnificent dieselpunk scenes.
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