Marek Hlavaty is an artist from Slovakia. Some of his artworks are set in a dieselpunk world where the Nazis have defeated Great Britain and the Soviet Union and continue to fight against the United States with their ally, Japan.
In one picture, we see a German interceptor preparing to take off from an airbase in Iceland. In another, Nazis land in the jungle of Amazonia and are mistaken for gods by the natives. Continue reading “The Art of Marek Hlavaty”
Before the rise of Adolf Hitler in Europe, American military strategists seriously considered the possibility they might do war with Britain in the Pacific.
During the 1920s and early 30s, a Joint Planning Committee (the precursor to the Joint Chiefs of Staff) developed a series of color-coded war plans. “Plan Red” prepared for a conflict with the British Empire, then the world’s declining but still premier military and political power. Continue reading “The Anglo-American Pacific War That Wasn’t”
Tamás Gáspár’s is the sort of art you expect to find in a midcentury pulp detective novel. Bank robbers, Al Capone and even the famous Dutch spy Mata Hari make an appearance. Continue reading “The Art of Tamás Gáspár”
BioShock 2 came out almost a decade ago, but I didn’t have a chance to play it until now.
Indeed, I haven’t played many video games at all in recent years, so I don’t have anything to compare the graphics and gameplay against. I will focus on the storyline and the overall experience of the game in this review. Continue reading “BioShock 2”
One of the earliest descriptions of a dieselpunk world was written by “Piecraft” in 2006. He envisaged an alternate 1950s “where the Great Depression never arrived and World War II is still being fought as a prolonged Cold War.”
Japan continues its progress toward technological modernization, developing the earliest computers and terminals. Nazi scientists continue experimenting by taking the route of biotechnology, sparking off a genetic revolution of bio-mods, clones and organ harvesting, while the Americans and British take both of these technologies to develop mind-control devices, spawning man-machine interfaces and sparking the atomic-powered machine age.
Let’s explore this diesel-fueled world in the first installment of a new series we’ll call worldbuilding.
We’ll draw on Len Deighton’s SS-GB (1978) and the BBC serialization (2017), Philip K. Dick’s The Man in the High Castle (1962) and the Amazon drama series (2015-present), Robert Harris’ Fatherland (1992), the video game Wolfenstein: The New Order (2014), the art of Stefan Prohaczka and Sam van Olffen, and the real-life Nazi Generalplan Ost, among other sources. Continue reading “A World in Which World War II Never Ended”
In Andrej Troha’s decopunk universe, the Americas have been unified in a single state, the Soviet Union is investigating strange phenomena in the Arctic and flight has been made impossible by stratospheric nuclear experiments, so monorails and flying cars are now the preferred modes of travel. Continue reading “The Art of Andrej Troha”
As the Allies closed in on Hitler’s Germany in late 1944 and early 1945, a desperate Nazi regime turned to “wonder weapons” in a final effort to turn the tide in the war.
The best-known as the V-1 and V-2 rockets, which rained down on London by the hundreds but failed to demoralize the British. Others, such as the V-3 cannon and Schwerer Gustav railway gun, were barely used. Others yet, like the German atomic bomb and Die Glocke, either barely advanced beyond the drawing board or never existed at all. Continue reading “Wonder Weapons of the Third Reich”
In the spring of 1941, Nazi Germany controlled of all of Western Europe and the question was where Adolf Hitler would strike next? Would he finally attempt an invasion of Great Britain? Or would he move into the Middle East instead and grab the oilfields? (Few anticipated at the time he would break his nonaggression pact with the Soviet Union.)
Life magazine argued in March of that year that an invasion of the Middle East by way of North Africa was most likely. This would allow Hitler to avoid aggravating the United States on the one hand, which might get involved if Germany invaded England, and Turkey on the other, which had resisted German overtures for an alliance.
RPM Orchestra describe themselves as Proto-Industrial Americana music with a dash of old-fashioned hiss and scratch, done in the spirit of free Jazz.
The orchestra composes and performs original scores to accompany films of the Silent Era, provides musical scores in collaborative multidisciplinary performances, records soundtrack music for contemporary films and regularly performs at various music venues.
The concept of “Proto-Industrial Americana music” intrigued me, so it was with some excitement that I started listening to Stepwise. Continue reading “Stepwise”