The long-awaited sequel to Ghosts of Karnak (reviewed here), book four in George Mann’s Ghost series, is a disappointing read. I’ll just come out and say it from the start.
I’ve been a fan of his works so far, even though I will admit I have not read all of them, and I have especially enjoyed his Newbury and Hobbs series.
Whereas I previously didn’t feel I was missing out from not having read the first two installments in the series, I felt like I was missing big chunks by only having read Ghosts of Karnak with this latest book. Luckily I did read that one or I would have been clueless and enjoyed it even less.
Continue reading “Ghosts of Empire”
Filthy ’47, by Danvers Nettlefold, is an upcoming dieselpunk audio drama in four parts, two excerpts of which have been published on the narrator’s YouTube channel.
After watching and listening to the excerpts, I am rather intrigued concerning the whole story and I hope the final product will be significantly longer than the excerpts times four. But since the fist excerpt is labeled Episode 2, scene 15, there is a lot of goodness to come.
Continue reading “Filthy ’47 Dieselpunk Audio Drama”
We previously imagined a world in which the Axis powers signed a peace treaty with America and World War II is still being fought as a prolonged Cold War. But what if Germany and Japan had pressed ahead and invaded the United States?
This next worldbuilding installment is heavily inspired by Philip K. Dick’s The Man in the High Castle (1962) and the Amazon drama series that is based on it (2015-present).
Continue reading “A World in Which the Axis Won World War II”
The BBC’s television adaption of Len Deighton’s SS-GB (1978) sees Britain under German occupation. Operation Sea Lion has been a success. Winston Churchill is dead. An ailing King George is held prisoner by the Nazis. His wife and daughters have escaped to New Zealand. Neither the Soviets nor the United States have entered the war. A British government-in-exile is struggling to win diplomatic recognition.
The plot focuses on a Scotland Yard detective, Douglas Archer (Sam Riley), who is caught up in a rivalry between his two SS supervisors as well as a British Resistance plot to exploit competition between the Germany Army and the SS. (The title refers to the branch of the Nazi SS that controls Great Britain.)
Continue reading “SS-GB”
Eddie Mendoza is an American steam-, diesel- and cyberpunk artist, whose cityscapes are the stuff of our dreams.
Continue reading “The Art of Eddie Mendoza”
Marek Hlavaty is an artist from Slovakia. Some of his artworks are set in a dieselpunk world where the Nazis have defeated Great Britain and the Soviet Union and continue to fight against the United States with their ally, Japan.
In one picture, we see a German interceptor preparing to take off from an airbase in Iceland. In another, Nazis land in the jungle of Amazonia and are mistaken for gods by the natives.
Continue reading “The Art of Marek Hlavaty”
Before the rise of Adolf Hitler in Europe, American military strategists seriously considered the possibility they might do war with Britain in the Pacific.
During the 1920s and early 30s, a Joint Planning Committee (the precursor to the Joint Chiefs of Staff) developed a series of color-coded war plans. “Plan Red” prepared for a conflict with the British Empire, then the world’s declining but still premier military and political power. Continue reading “The Anglo-American Pacific War That Wasn’t”
Tamás Gáspár’s is the sort of art you expect to find in a midcentury pulp detective novel. Bank robbers, Al Capone and even the famous Dutch spy Mata Hari make an appearance.
Continue reading “The Art of Tamás Gáspár”
BioShock 2 came out almost a decade ago, but I didn’t have a chance to play it until now.
Indeed, I haven’t played many video games at all in recent years, so I don’t have anything to compare the graphics and gameplay against. I will focus on the storyline and the overall experience of the game in this review.
Continue reading “BioShock 2”
One of the earliest descriptions of a dieselpunk world was written by “Piecraft” in 2006. He envisaged an alternate 1950s “where the Great Depression never arrived and World War II is still being fought as a prolonged Cold War.”
Japan continues its progress toward technological modernization, developing the earliest computers and terminals. Nazi scientists continue experimenting by taking the route of biotechnology, sparking off a genetic revolution of bio-mods, clones and organ harvesting, while the Americans and British take both of these technologies to develop mind-control devices, spawning man-machine interfaces and sparking the atomic-powered machine age.
Let’s explore this diesel-fueled world in the first installment of a new series we’ll call worldbuilding.
We’ll draw on Len Deighton’s SS-GB (1978) and the BBC serialization (2017, our review here), Philip K. Dick’s The Man in the High Castle (1962) and the Amazon drama series (2015-present), Robert Harris’ Fatherland (1992), the video game Wolfenstein: The New Order (2014), the art of Stefan Prohaczka and Sam van Olffen, and the real-life Nazi Generalplan Ost, among other sources.
Continue reading “A World in Which World War II Never Ended”