The era of steampunk ends with the First World War. While authors have played with twilit eras of brass and steam existing deep in the twentieth century before, these tend to be aberrant epochs, places where the life of the Gilded Age has been unnaturally prolonged. When the war breaks out, as it does in Ian R. MacLeod’s House of Storms (2005), and as it is implied to do in Stephen Baxter’s Anti-Ice (1993), it symbolizes the end of an age, the final verdict of a world too frivolous to last, yet too innocent to deserve the coming judgment.
However, Scott Westerfeld, a specialist in young-adult science-fiction, who made his mark with the popular Uglies series, has taken a different tack. Rather than positioning the Great War as the end of steampunk, Leviathan imagines a war that has been colonized by the steampunk aesthetic. Continue reading “Leviathan”
Nellie Bly is a free-spirited woman. Anything a man can do, she can do as least as good and she won’t stop at anything to prove it.
This doesn’t sound too strange, were it not that she lived in the United States of the turn of the century, where the social situation of women wasn’t exactly what it is now. Continue reading “The Alchemy of Murder”
For the most part, steampunk is a versatile subgenre. The tropes and themes commonly associated with it, the trappings of era fiction and the wonders of industry, can be applied and reimagined in any number of settings. Today, literary steampunk can run the gamut from straightforward Neo-Victorian adventure to imaginative alternate history to the wildest flights of high fantasy.
Surely, everyone is aware of the importance of science to the steampunk movement. We all have heard about the scientific importance of the Victorian era, thus it comes as no surprise that this lives on in the steampunk of this day.
Inventions and scientific revelation and discoveries, and the entire DIY feel that comes with them, are vital to the movement and many members build their own mechanical contraptions and spend many an hour on some kind of experiment. And what better way to do this than in style? Continue reading “The Mad Scientist Style”
It is a truism of alternate history that no good deed ever goes unpunished. Whenever someone attempts to change the world for the better, the intervention all too often allows some greater calamity to transpire. Kill Hitler and the Soviet Union will conquer Europe. Start an industrial revolution in Renaissance Europe and nuclear war will break out by the end of the sixteenth century. Give the prehistoric peoples of the Americas seed grain and livestock and their conquest by Sung-dynasty China is assured.
The Company of the Dead, the first novel by Australian author David Kowalski, shares this basic conceit, describing a world not entirely unlike our own doomed to destruction by the actions of a single honest man. Continue reading “The Company of the Dead”
The First World War was one of the great catastrophes of human history. In four years of fighting, almost ten million soldiers were killed and wounded, with great swathes of the European continent laid to waste.
Historically, Friedrich III was already terminally ill with cancer when he ascended the throne in 1888 and died 99 days thereafter.
He was married to Princess Victoria, eldest child of Queen Victoria and Prince Albert, and held Great Britain in high regard (half of his personal medical staff was British).
Friedrich was on excellent terms with his parents-in-law; took rather liberal views and there are indications that he wished to turn the German Empire into a constitutional monarchy modeled after the British. Continue reading “What If Friedrich III Had Lived?”
George Chetwynd Griffith-Jones is one of the forgotten luminaries of the classic British Scientific Romance. A best-selling author and sometime rival of H.G. Wells’ at the beginning of the twentieth century, his work has been mostly forgotten by later generations. While much of them are steeped in the opinions and prejudices of his day, Griffith’s tales contain many elements that would lay the basis for the first great boom of science-fiction.
The adventurer is crucial to steampunk, for he explores the boundaries of empires and brings back new and exiting things from his journeys into the previously unknown. Adventurers are brave, daring and, most importantly, looking the part, no matter where they go — be they the brave explorers of lost civilizations in deep jungles or underneath the mighty oceans, the gallant aviators that soar the skies or anything in between. Continue reading “The Adventurer Style”