When I argued we should avoid letting our real-world political differences kill steampunk, I was accused of tone policing, caring only about white and straight people (I’m gay), hating on steampunk that doesn’t put straight, white, wealthy imperialism at the forefront, prioritizing the hurt feelings of those who want to oppress others; I was called naive, a racist, the son of skinheads and a complete and utter jackass. (This coming from the sort of people who insist they’re trying to make steampunk a “safe space” for “diverse” points-of-view.)

Steampunk performer Professor Elemental wrote an op-ed for The Steampunk Explorer arguing I was freaking out for no reason and steampunk was doing “better than ever.” Bill Bodden wrote an opinionated blog post, in which he dismissed me as an opinionated blogger and insisted that “new enthusiasts are coming in all the time.” Cora Buhlert argued that if steampunk is changing, that’s a good thing, “because the static genres are the ones that are close to death.”

Yet here we are, one year later, and the same Professor Elemental reports that steampunks are leaving the scene because of political rifts. He speaks from an UK experience, where Brexit has sorted people into opposing camps. The divisiveness and polarization is even worse in the United States.

Elemental’s advice?

• Don’t walk away from steampunk or exclude people just because of the odd wrong opinion.
• People who disagree with you are not deserving of hate.
• Steampunk is and should be for (almost) everyone. If we want our little subculture to thrive, we need to work hard to bring people together wherever we can. (Excluding actual bigots.)

I suppose I should know better than to expect Elemental to be canceled for suggesting anything so outrageous. Let’s hope his appeal will be taken more seriously than mine.

My “Who Killed Steampunk?” story from April continues to make the rounds with an unfortunately common reaction being to stick one’s head in the sand. Many people seem to believe that because they’re still doing steampunk, or because there is a well-attended steampunk event in their region, the entire movement must be doing fine.

The introduction to a recent op-ed by performer Professor Elemental in The Steampunk Explorer goes so far as to reassure readers that not only “everything is fine,” but steampunk is “better than it ever was in fact.”

It contains no evidence for this “fact”. I’m not even sure it’s what Elemental believes. In his op-ed, he recognizes that blogs and message boards have disappeared (although I think he’s overly optimistic when he writes, “Fewer blogs and message boards about steampunk means there are fewer blogs and message boards, not less steampunk”), that events have been canceled, and he has noticed the same attitude I blamed in April for “killing” steampunk: a tendency to scrutinize every steampunk costume, creation and story for signs of Eurocentrism, imperialism, misogyny and racism.

As Elemental puts it:

Subcultures like ours don’t do well under extreme scrutiny.

It was Sunday morning and the first thing I read on Facebook was a call from someone in the steampunk community demanding that another person be “unfriended” by all of her followers. Along with this, she posted a screencap of a meme this terrible person had posted which said, “Share if you also want to see Hillary Clinton in jail.” It had the former secretary of state’s face photoshopped behind bars.

For one anti-Clinton meme, this steampunk woman demanded the deplatforming of someone I didn’t even known before this incident. One wrong meme in some circles and you’re out.

By that logic, I should have been “canceled” a long time ago. I’ve disliked Hillary Clinton since the early 1990s. But social media has made it much easier to scout out thoughtcrimes. Don’t belong to the right political party? Don’t hate politicians from the other side? Someone will screencap something you wrote, share it on their own page and demand that you be shunned.

We’ve crossed into a weird McCarthyism — Jenny McCarthyism — where if you’re not liberal enough you’ll be chased out of whatever fandom you’re in.

P. Djeli Clark suggested earlier this year (sorry we didn’t pick up on it earlier) that steampunks should be glad to have activists among them who can constantly remind them of what they’re doing wrong.

Late last year, when an image of teenage pop star Justin Bieber wearing something of a steampunk outfit appeared online, the vast majority of steampunk fandom seemed appalled. For such an icon of contemporary pop culture (or lack thereof) as Justin Bieber to delve into the steampunk aesthetic was anathema to steampunks’ self image as defying the mainstream culture. Some said this marked the end of steampunk as an alternative culture altogether.

That in itself, our Marcus Rauchfuß observed, was evidence of steampunk having gone mainstream already.

“When a scene is truly underground,” he wrote, “new members are always welcome. People are excited about and very welcoming toward newcomers. The scene has to grow to a certain point for a style-police to emerge.”

Yet that has happened to steampunk. And it’s not something we can blame Justin Bieber for.