Charles Schridde (1926-2011) was an American artist and illustrator. He is best known to retrofuturists for the homes of tomorrow he drew for Motorola in the 1960s.
The paintings, which were printed in advertisements, were of lavish Modernist dwellings, typically against a spectacular natural background, such as a cliff or a waterfall. Naturally, they were equipped with Motorola radios, television sets and other electronics.
I finally watched Loki on Disney+ (it’s hilarious) and one of the things that stood out to me was the aesthetic of the show’s Time Variance Authority (TVA). Brutalist with a mix of midcentury graphics and 1970s decor, it reminded me of the Fallout video games as well as Counterpart, the most underrated science-fiction series of recent years. The Office of Interchange in that show also uses dot-matrix printers, rotary-dial phones, old computers, typewriters, and pen and paper.
The Office of Interchange isn’t a time-travel authority. Rather it manages relations between two parallel Earths. The Temps Commission in The Umbrella Academy (our review here) is, and it too looks midcentury. So does the Federal Bureau of Control in the video game Control. Brutalist architecture and midcentury American office furniture seem to be the time traveler’s favorites.
The Humboldt Forum, Germany’s answer to the British Museum and the Louvre of Paris, reopened this month in the rebuilt Berlin Palace after almost two years of controversy and debate.
The Forum combines the collections of the Ethnological Museum of Berlin and the Museum of Asian Art, with many pieces acquired (or stolen) during the colonial era.
The building is a reconstruction of the Hohenzollern residence that was torn down by East German authorities in 1950 to make way for the Palast der Republik, which was itself torn down post-reunification. Both demolitions were controversial — and both, I think, were a mistake. (Although renovating the asbestos-filled Palast might have been more expensive than knocking it down and building something new.)
The Palast was designed by architect Heinz Graffunder and the Building Academy of the German Democratic Republic in the modernist style and opened in 1976. In addition to the unicameral, and toothless, parliament of communist East Germany, it contained two large auditoria, art galleries, a bowling alley, restaurants and a theater.
What do you get when you put Paris and New York together? Haussmanhattan! A portmanteau of Baron Haussmann, the prefect of the Seine who remade the French capital for Napoleon III, and Manhattan, the central borough of New York.
It is also a project of architect Luis Fernandes’, who gives us a beautiful tour of a city that never was.
Amsterdam could have had a Parisian-style boulevard.
Around the turn of the last century, the city council accepted proposals for a new commodity exchange. It initially favored a design sponsored by hotelier W.P. Werker, who would have demolished a whole street of buildings between the Dutch capital’s central railway station and the Royal Palace on the Dam Square to create something of a miniature Champs-Élysées.
By the middle of the nineteenth century, Barcelona was bursting at the seams. The city hadn’t expanded beyond its medieval walls, but its population had grown almost 50 percent between 1800 and 1850. The congestion was contributing to outbreaks of disease. There was clearly a need for expansion, but it wasn’t until 1853 that the central government in Madrid allowed Barcelona to tear down its walls.
Two expansion plans were introduced, one by Antoni Rovira i Trias, which was favored by the Barcelona city council, and another by Ildefonso Cerdá, which was favored by Madrid. Neither was implemented in full, but Cerdá’s, with its distinctive hexagonal blocks, proved by far the most influential.
Modernisme is the Catalan version of Art Nouveau. Its popularity coincided with the late-nineteenth-century expansion of Barcelona, which more than doubled the city in size. Walk around the Eixample district, which rings the historical city center, and you’ll find countless examples of this organic architectural style that is rich in decoration and incorporates Arab and Gothic elements.
Some, like Antoni Gaudí’s Sagrada Família and Lluís Domènech i Montaner’s Hospital de Sant Pau, are well known. Others you would probably pass by if you didn’t know where to look.
What follows is only a selection. The best way to explore Barcelona’s Modernista architecture is to take a day to roam Eixample and give yourself time to gaze at the many beautiful buildings here.