Recently a group within the steampunk movement has stood up and loudly proclaimed we are a left-wing, politically active and even radical activist movement.
These people spread the word with vim and vigor and thus it may very well seem to many, especially those new(ish) to the scene, that this is what steampunk is about.
Continue reading “Popular Steampunk”
Something I noticed reading the Twitter feeds of a number of American steampunk enthusiasts: they’re all anti-Republican.
I hesitate to say they’re Democrats, because the party might be too centrist for them. The number of disparaging tweets about conservatives in general, and Republican legislators and presidential candidates in particular, was high, though.
So where are the steampunk Republicans? Are they hiding? Do they even exist?
Continue reading “Where Are the Steampunk Republicans?”
There has been substantial buzz regarding steampunk as a radical political movement recently. The notion has been stated as a fact by some, i.e., radical political ideas are an integral part of steampunk. It was even declared as such in an article featured during the latest Steampunk Week on Tor.com.
I find this most puzzling. I have on a number of occasions made political statements on my blog, I am an active member of a political party, but it does not influence me as a steampunk.
To be more precise, if I had to define a political stance for my version of steampunk, it would be radically different from my real-world views.
Continue reading “Is Steampunk Radically Political?”
Is steampunk more than gears and goggles? According to Pablo Vazquez, “We can’t ignore that even though the name began as a joke, we are punks through and through.”
Writing for Tor.com, Vazquez tries to postulate steampunk as an anticapitalist “revolutionary spectacle” that is able to fill the “something” he feels is missing from our world today.
Vazquez admits that “we can’t exactly pinpoint” what’s missing, “but we know it’s missing.” He just feels it, you know. The future looks “cold and endangered,” Vazquez adds, so we must look back at the steampunk era for inspiration.
Continue reading “Are We Punks Through and Through?”
Tor.com‘s Steampunk Month is over. For the last four weeks, the website has published an impressive collection of artwork, essays and fiction that has kept us thoroughly entertained.
About midway through, one article appeared I would like to comment on.
In “There is Totally Punk in Steampunk,” Jaymee Goh writes about how the ‘punk suffix relates to the genre and the developing subculture that we understand today under the banner of “steampunk.”
Continue reading “Get Your Punk Out of My Steam”
During the reign of Victoria, the women’s suffrage movement began and, shortly after her death, culminated in women receiving the same legal right to vote as men. It was a landmark period in history for thinking about gender equity. Informed by such works as A Vindication of the Rights of Woman, written by Mary Wollstonecraft almost a half century prior to the Victorian era, it spawned such well-known feminist thinkers as John Stuart Mill, Elizabeth Stuart Phelps Ward and Florence Fenwick Miller. In spite of the oppressive atmosphere created by a focus on eradicating “vice” via the Comstock Laws and other means, as well as the caricature of women as weak and feeble-minded by many scientists of the day, women were making strides toward being recognized as equal to men and having autonomy.
This is the historical background which inspires much of steampunk fiction and we should take its lessons to heart when building our steampunk community.
Continue reading “Battle of the Sexes: How Steampunk Should Be Informed by Feminism”
As dieselpunk is gaining popularity and recognition as a genre, dieselpunk enthusiasts are endeavoring beyond the restraints of fiction to frame a dieselpunk aesthetic, a dieselpunk culture and, ultimately, a dieselpunk philosophy.
Does dieselpunk lend itself to make a political statement?
Continue reading “Dieselpunk as a Political Statement”
Several months after, after the eleventh issue of this magazine, dedicated to “Victorientalism”, sparked fierce debate in the steampunk community about the genre’s complicated relationship with colonialism and race, the owners and editors of some of the community’s most prominent blogs and publications gathered to explore the possibility of organizing a “Great Steampunk Debate”, where, for a limited time, steampunk enthusiasts could come together and discuss the political side of the movement.
The debate would entail the whole of the spectrum of steampunk and ideology, with discussions ranging from the roles of class and gender in the genre to topics about the influence of anarchism and the significance of steampunk’s maker culture.
Continue reading “The Great Steampunk Debate”
I am glad that the Great Steampunk Debate is coming to a close.
Don’t get me wrong — I loved participating in and helping moderate it for the past two months. It has challenged my opinions about the genre, aesthetic, fandom, subculture; made me think long and hard about why people perceive it in such different ways; and occasionally frustrated me.
The opportunity to get a better hold on the opinions of steampunk enthusiasts everywhere was valuable, but it’s time for a break from all the arguments. Most of them will never be resolved anyway; the community is too diverse a group, geographically, politically and otherwise to ever fully agree on the serious sides of steampunk.
Continue reading “In Defense of the Lighter Side of Steampunk”
There is a gaggle of different people to be found within steampunk culture. Everyone has their own opinion about what it means to be a member of the steampunk community. Trying to find a specific mindset that unifies steampunk as a subculture can be a difficult undertaking therefore.
Continue reading “Thoughts on the Ideology of Steampunk”