HBO’s Boardwalk Empire is the best thing that’s been on television since AMC launched Mad Men several years ago.
If you’re unfamiliar with the series, imagine The Sopranos, set some ninety years in the past. It’s Atlantic City during Prohibition and Boardwalk Empire combines bootlegging and American upper-class bliss in a splendid mix. It is the Roaring Twenties and, although liquor is banned, The World’s Playground went through its golden age of gambling and entertainment.
Continue reading “Boardwalk Empire”
Tor.com‘s Steampunk Month is over. For the last four weeks, the website has published an impressive collection of artwork, essays and fiction that has kept us thoroughly entertained.
About midway through, one article appeared I would like to comment on.
In “There is Totally Punk in Steampunk,” Jaymee Goh writes about how the ‘punk suffix relates to the genre and the developing subculture that we understand today under the banner of “steampunk.”
Continue reading “Get Your Punk Out of My Steam”
As dieselpunk is gaining popularity and recognition as a genre, dieselpunk enthusiasts are endeavoring beyond the restraints of fiction to frame a dieselpunk aesthetic, a dieselpunk culture and, ultimately, a dieselpunk philosophy.
Does dieselpunk lend itself to make a political statement?
Continue reading “Dieselpunk as a Political Statement”
Several months after, after the eleventh issue of this magazine, dedicated to “Victorientalism”, sparked fierce debate in the steampunk community about the genre’s complicated relationship with colonialism and race, the owners and editors of some of the community’s most prominent blogs and publications gathered to explore the possibility of organizing a “Great Steampunk Debate”, where, for a limited time, steampunk enthusiasts could come together and discuss the political side of the movement.
The debate would entail the whole of the spectrum of steampunk and ideology, with discussions ranging from the roles of class and gender in the genre to topics about the influence of anarchism and the significance of steampunk’s maker culture.
Continue reading “The Great Steampunk Debate”
As we continue to be intrigued by the question, what defines steampunk? in anticipation of the Great Steampunk Debate to be launched next May, SteamPunk Magazine linked to an interesting contribution by one Kevin Steil at the blog Airship Ambassador entitled “Steampunk is … Reaction, Rebellion, Resolution.”
Continue reading “Reaction, Rebellion, Resolution”
As dieselpunk has began to foster a mindset of its own, it is time to wonder what exactly defines this new and exciting attitude.
In “The Tenents of Dieselpunk Culture,” Tome Wilson of Dieselpunks proposes a number of pillars that inspire the dieselpunk mentality.
Continue reading “The Tenets of Dieselpunk Culture”
Steampunk has come a long way in recent years. No longer an obscure subgenre of speculative fiction, steampunk today encompasses besides literature and film, design, fashion and a community that spans worldwide. Although firmly rooted in British Victorianism, steampunk enthusiasts hail from all nations with fascinating variations on the theme being explored in France, Japan and the United States especially.
As the steampunk movement continues to grow, it is only inevitable that the many people involved in it try to shape it to their personal liking. There is no harm in that. Steampunk is a versatile concept that can adapt to different times, different places, different philosophies even. New interpretations of steampunk should always be welcomed as refreshing in the first place before we attempt to dissect or, eventually, discard of them.
Continue reading “Steampunkness: A New State of Open Mind”
Reactions to the Victoriental issue of the Gatehouse Gazette (March 2010) have been pretty fierce. The opinions of those provoked by it may best be summarized by Ay-leen, who noted that using the phrase “Victorientalism” to imply a “positive, transcultural blend” of cultures is “misguided.”
Others have been less nuanced in their renunciations of what they assume to be our position.
Continue reading “In Defense of Victorientalism”
As a genre, steampunk was hardly political. Cyberpunk, in its reverence of alienated hackers and all sorts of outcasts, might carry some political weight, but the very term “steampunk” was coined as a joke (by author K.W. Jeter in 1987) and never meant to describe the sort of movement we know today.
Because of its newly-acquired subculture status, steampunk has made bold fashion and design statements, but it struggles to find an ideology. While some recognize anarchist potential in putting the “punk” back in steampunk, others emphasize that steampunk is inherently apolitical. Others yet seek a middle way by interpreting the “punk” as a broad rejection of modern-day consumerism and the loss of individualism associated with twenty-first-century industrial society.
Continue reading “Steampunk Politics Anno 2010”
According to the blog The Flying Fortress, there are “two flavors of dieselpunk”: a pre-nuclear “Ottensian” dieselpunk (named after me!), which revels in the bliss and progress of the 1930s, and a post-nuclear “Piecraftian” dieselpunk, which is sometimes post-apocalyptic.
Continue reading “The Meaning of Decodence”