Tamara Łempicka (1898-1980), known as Tamara de Lempicka, was a Polish artist who lived in Paris between the world wars and relocated to the United States in 1939.
Her breakthrough came at the 1925 International Exhibition of Modern Decorative and Industrial Arts, which gave its name to the Art Deco movement. She exhibited her paintings in two of the exhibition’s venues, where they were spotted by journalists from Harper’s Bazaar and other fashion magazines. Exhibitions in Italy and the United States followed.
Paul Catherall is a London-based artist who specializes in bold linocuts of architectural landmarks that have a definitive “decodent” quality to them. Paul has worked for such prestigious clients as British Airways, Pallant House Gallery and the Royal Shakespeare Company.
In Andrej Troha’s decopunk universe, the Americas have been unified in a single state, the Soviet Union is investigating strange phenomena in the Arctic and flight has been made impossible by stratospheric nuclear experiments, so monorails and flying cars are now the preferred modes of travel.
“Donaguirre” is a German artist whose lovely Art Deco-inspired posters typically implore citizens of the fictional Eldorado to buy war bonds to fund a three-way Cold War with Teutonian Empire in Europe and the Empire of Nikko across the Pacific.
There is an obvious Sky Captain influence in Waldemar von Kozak’s art: big flying machines, robots, German villains. It feels more decodence than dark, Piecraftian dieselpunk, reminiscent of midcentury Modern Mechanix and Popular Science covers, yet his is also clearly a world at war.
Kevin Conran is the mastermind behind dieselpunk classic Sky Captain and the World of Tomorrow. He designed everything from the interior and exterior sets to the movie’s characters, costumes, props and vehicles.
Ghosts of Karnak is the third installment in George Mann’s Ghost series, set in 1920s New York.
I must admit that I haven’t read the first two books, but I found that to be no issue at all. There are only a few references to those and none make you feel like you can’t follow the plot. If anything, it has left me with a desire to pick up the other two books.
From the official 1939 New York World’s Fair pamphlet:
The eyes of the Fair are on the future — not in the sense of peering toward the unknown nor attempting to foretell the events of tomorrow and the shape of things to come, but in the sense of presenting a new and clearer view of today in preparation for tomorrow; a view of the forces and ideas that prevail as well as the machines.
Agent Carter is one of Marvel’s recent additions to their cinematic universe. Peggy Carter was first introduced in Captain America: The First Avenger, not only as Captain Roger’s love interest but as a lady of flawless class, style and competence. It’s no surprise the character became loved enough to earn her own TV series.
The time is 1946 and things have radically changed for Peggy. Where she was a valued part of anti-Hydra and -Nazi actions during World War II, she is now the sole female field agent of the Strategic Scientific Reserve — and grossly overlooked by her male co-workers.