Kōtetsujō no Kabaneri, or Kabaneri of the Iron Fortress, is a beautifully done anime, set in a post-apocalyptic Japan.
At the time of industrialization, a mysterious plague broke out, turning corpses into kabane, a kind of blood-drinking zombie that is extremely hard to kill. Get bitten and you turn into one. Die and you turn into a kabane. Or, if you’re lucky, a kabaneri, a halfbreed of man and kabane. Survivors live in stations along the route of heavily armored trains, known as iron fortresses.
It is in these stations and on these trains that we find the characters of this story.
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Carnival Row, Amazon Prime’s neo-noir Victorian SteamGoth fantasy series, has come to the many fortunate enough to be able to watch it. Combining the worlds of the fae and humanity has never been so well done.
A lot of it is hitting a little close to home: immigrants trying to build a new life after fleeing their wartorn homelands, intolerance, discrimination, ghettos. It’s clear the creators took a good look at human history — Victorian, World War II-era and contemporary.
It shows, not just in the storyline, but in the cinematography. The wardrobes, the uniforms, everything. This is the best fantasy with horror elements since Penny Dreadful (our review here) and it is a shame it isn’t more easily available, because it has a strong story with a talented cast.
Continue reading “Carnival Row, Season 1”
The Lion King and Jungle Festival premiered in Disneyland Paris this summer. The event comprised, as you can guess from the name, all sorts of bits and bobs from The Lion King and The Jungle Book. Which was quite clever, considering the recent live-action releases of both movies.
Over the last few years, Disneyland Paris has been stepping up their game when it comes to additional shows and parades for their temporary events, and this was no different. Rather than combining the two movies, they had a Lion King-themed show called Rhythm of the Pride Lands with a little dance from Timon called MataDance (it was 40°C the day I was there, so I skipped that in favor of shade) and you could meet Rafiki during a special lunch at the restaurant Hakuna Matata.
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Industrial rivalry, plots for murder, intrigue, politics and a world where wondrous devices are engineered: Moorlander has it all.
At first glance.
The first in a series by Robert T. Bradley, this book takes you into a world where plots unfold all around the main characters.
The author has absolutely done his best to create a fully developed world with fleshed-out characters. It’s great that we’re not lacking backstory. But there is too much of a good thing.
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High Tech Low Life, the cyberpunk band from Okinawa, Japan, came as somewhat of a surprise to the European scene.
Not just a band, but an entire worldbuilding setting with their own characters and concept. Which is in itself nothing new, as many steampunk bands have done that. But their intent on doing better and saving the future is something done so well, I had to go and investigate.
So I sat down with the guys from High Tech Low Life to find out more about them and the terrible possible futures converging in 2069, which is, let’s face it, not that far away!
Which you can read right behind the piece about their music and concerts I witnessed. Stick with it til the very end, because there is a little giveaway!
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Elftopia fantasy faire has grown during its four years into an event that can easily compete with others of the same nature.
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Back in the 1970s, the Walt Disney Company produced a series of adventure movies, some of which fit right into the steampunk genre. One is The Island at the Top of the World (1974).
The movie was co-written by John Whedon, grandfather of Joss Whedon of Buffy, Firefly and Avengers fame.
The story starts in 1907 London, where a British aristocrat is mounting an expedition to the Arctic to find his lost son. He travels there accompanied by an archeologist and the aeronaut and inventor as well as captain of the airship that is taking them there: the Hyperion.
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It took quite a few years, but the long-awaited sequel to 2012’s Iron Sky has landed! (Pun intended.)
The sequel takes place 29 years after the events of the first movie (our review here), which you’d have to see to understand what’s happening in the second. Considering the first is an absolute dieselpunk classic, you absolutely should if you haven’t already!
I won’t go into the plot of this movie. Suffice to say that, like the first Iron Sky, it is utterly and completely out there and I’m here for it. Old villains, old heroes, new villains, new heroes. A total sarcastic approach to non-fictional personas, dieselpunk tinkering and utter madness: it’s Iron Sky alright.
Continue reading “Iron Sky: The Coming Race”
Priest has been out for a while, since 2011 in fact, but it has aged well enough and we haven’t reviewed it before. It’s also available on Netflix.
I haven’t read the original comic, so I can’t say in how far it’s an faithful adaptation. The movie, however, combines the vampire genre, Weird West and post-apocalyptic, giving it a unique take on what we’re used from either of those three.
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A dastardly and murderous plot, the Church is up to something, murder in Victorian London, (mad) science, automata and resurrection. That’s pretty much the theme of season 2 of The Frankenstein Chronicles. An excellent example of the darker side of Victorian storytelling.
It has finally landed on Netflix with its second and (as far as I know) final season.
Season 2 takes off where season 1 ended, with the resurrected man John Marlotte (Sean Benn) trying to solve the mystery that led to his untimely demise, aided and thwarted by a mix of recurring and new characters.
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