Nellie Bly is a free-spirited woman. Anything a man can do, she can do as least as good and she won’t stop at anything to prove it.
This doesn’t sound too strange, were it not that she lived in the United States of the turn of the century, where the social situation of women wasn’t exactly what it is now. Continue reading “The Alchemy of Murder”
You Are Empty, created by defunct Ukrainian developer Digital Spray, is not a good video game.
The graphics are out of date, relying on shopworn polygons and flat textures more common to games from the beginning of the decade rather than anything on the shelves today. Continue reading “You Are Empty”
When one says that Atlus’ Shin Megami Tensei: Devil Summoner 2: Raidou Kuzunoha vs. King Abaddon is set in an alternate history Japan where the Taisho era (1912-26) has continued on into the 1930s, one might expect this alternate history setting to play heavily into the plot of the game. “How would Japan be different if the Taisho era had not given way to the strong militarism of the 1930s that foreshadowed Japan’s involvement in World War II?”
For better or worse, this is not the case. The story is, instead, highly reminiscent of detective novels of that era, such as the Kindaichi series written by Seishi Yokomizo, but with the addition of the standard theme of all Shin Megami Tensei games: demons, devils, and dark magic. Continue reading “Devil Summoner 2: Raidou Kuzunoha vs. King Abaddon”
The Wolfenstein series has been around since 1981 for the Apple II computer. Things have much changed since then, though, and the games have seen many incarnations across numerous platforms with ever different plots.
The latest is for the Playstation 3 and fits in with the more modern plotline of Wolfenstein’s canon (which builds on the 1990s game Wolfenstein 3D and the later sequel, Return to Castle Wolfenstein) and like them is a first-person shooter. Continue reading “Wolfenstein”
Sam van Olffen is a talented dieselpunk artist from France whose work has been featured at exhibitions throughout the world. He kindly agreed to answer some questions about himself, his work and his thoughts about the genres his creations are associated with. Continue reading “Interview with Sam van Olffen”
For the most part, steampunk is a versatile subgenre. The tropes and themes commonly associated with it, the trappings of era fiction and the wonders of industry, can be applied and reimagined in any number of settings. Today, literary steampunk can run the gamut from straightforward Neo-Victorian adventure to imaginative alternate history to the wildest flights of high fantasy.
It is difficult to describe the exact relationship between the 2001 anime Metropolis, directed by Rintaro, and Fritz Lang’s 1927 silent film of the same name without longwinded explanations or vague terms like “inspired by” or “loosely based upon.”
As a matter of fact, the anime is chiefly a filmic adaptation of a 1949 manga by Osamu Tezuka, best known as the creator of Astro Boy, which is purported to be “loosely inspired” by a few promotional images of the famous masterpiece of silent cinema. Continue reading “Rintaro’s Metropolis”
The 1927 film Metropolis is a milestone in the cinematographic genre of science-fiction and many reviews have been written about it, so I shall concentrate on two particular aspects and hope I am not plagiarizing someone else’s ideas. Continue reading “Future Lessons from the Past”
Peasants, widows and royalty all wanted to serve Mother Russia in the Great War. Some were nurses, others support troops, but on occasion women would put Mosin-Nagant rifle to shoulder and fight quietly as front line troops.
Cossacks and Siberian sniper units were reinforced by female recruits, but the concept of all-female infantry units was viewed with skepticism. Yet with the fall of the Tsar Nicholas II regime in the spring of 1917, and the war against Germany lingering, the Provisional Government needed fresh bodies to send to the frontlines.
And from the vast Russian multitudes a select number of women stepped forward to become soldiers in the 1st Women’s Battalion of Death. Hundreds of women, between the ages of 18 and 40, would turn out to be inspected by the tough commanding officer: Captain Maria Bochkareva. Yet few would pass muster. Continue reading “Battalion of Death: Russia’s All-Female Fighting Force”