This old photograph of the Viceregal Lodge in Simla, India comes from the 1909 book Trans-Himalaya: Discoveries and Adventurers in Tibet by the Swedish explorer and topographer Sven Hedin, which can be read in full at Project Gutenberg. Continue reading “Viceregal Lodge, Simla”
With a collection of historical photographs of the city of Palm Springs, Architectural Digest celebrates “the innovative style and legacy of legendary architects and designers who left their mark on this California desert oasis.” Continue reading “Desert Modernism in Palm Springs”
Throughout World War II, Allied policymakers pondered how to rearrange the world once victory was achieved. Oftentimes their thinking confined itself to the outlines of postwar Europe, but some schemes were more ambitious. Continue reading “New World Order”
Besides tulips and cannabis, the Netherlands now has a more colorful, and perhaps even more addictive, export product: the video game Killzone, developed by the Amsterdam-based Guerilla Games.
The first Killzone shooter was released back in November 2004 and, in spite of average reviews, sold more than two million copies worldwide. In just a few days, on February 27, the third game in the franchise will go on sale and already over one million have been preordered in Europe alone.
So what is all the fuss about? Continue reading “Killzone”
Somewhere in the remote barrenness of the former Soviet republic Tajikistan stands a group of giant snow globe-like structures, “like straight off a pulp-era dime novel cover,” as Redfezwriter puts it over at our message-board community, the Smoking Lounge.
The things aren’t snow globes nor huge Pac-Macs, but telescopes monitoring the satellites Russia is still able to maintain in orbit. Continue reading “Peering Into Space”
Gone with the Blastwave is a post-apocalyptic comic by Kimmo Lemetti from Finland. He occasionally — though unfortunately not often — uploads a new installment, but there are plenty of old stories on his website to keep you amused for a while.
Although the quality and humor of Gone with the Blastwave is not in doubt, we wonder whether to call it dieselpunk. Continue reading “Gone with the Blastwave”
On July 28, 1938, at the Cammell Laird shipyard in Birkenhead, England, the flagship of the new Cunard White Star Line was launched. In honor of the proud and record-breaking vessel that served Cunard between 1906 and 1934, this ship was christened Mauretania and — like her predecessor — destined to become a favorite among transatlantic travelers because of her speed and luxury. Continue reading “RMS Mauretania”
With the increasing contact with the East and its ensuing colonization, people in the West became fascinated by this strange new world. For centuries, adventurers, novelists and romantics had been interested in the lands beyond the horizon. Europe had all been explored and people became more and more familiar with the world they lived in. The Orient was still a realm of mystery, inhabited by alien people, exotic and sometimes cruel, with customs that Enlightened Europeans thought of as barbaric; a place where time had stood still.
An age-long Orientalist tradition of those who studied the East has in our times been criticized for its presumed bias and even racism. In the realm of steampunk, however, we can safely recreate the Orient as it was described and depicted by nineteenth-century authors and artists who might never have seen it. All the myths and miracles of the East that enchanted the Victorians can come true. Continue reading “Introduction to Victorientalism”
The aristocratic aesthetic is quite probably one of the most representative of the fashion aspect of this movement. Continue reading “The Aristocrat Style”
It’s unclear who coined the phrase “biopunk,” but presumably the term was invented after steampunk had been established as a genre. At least, it was not until steampunk had entered the mainstream that biopunk emerged.
Like steampunk, this proposed literary genre finds its origins in cyberpunk. It replaces the information technology of cybernetics with the synthetic biology of genetic engineering, but maintains most of the other elements of the genre.
Which begs the question: Should biopunk be considered a genre of its own? And if not, are steam- and dieselpunk really genres in their own right? Continue reading “What Is Biopunk?”