Beau Brummell: The Most Stylish History Maker

You sir, yes you. Take a look at your fine wardrobe and the styles you hold dear. Those of the elegant, refined, understated gentleman. A far cry from the powdered wigs and scented noblemen whose influence, without our Beau, would have dominated the fashions of Europe — and thus the world — for many years longer than they have done.

The 1700s were a time of wealth. On the continent and in Britain, the nobility showed its flare with ever greater demonstrations.

A prime example of this is the decadency of the French royalty in the guise of Louis XVI, who was advertised as such a tyrannical arch-degenerate that it cost him both his crown and his head to a revolutionary mob. (Despite his actual character as probably a fairly decent chap.)

From the gold-leaf extravagance of the Palace of Versailles to the towering powdered wigs of lords and ladies, the seventeenth and eighteenth centuries were times of showing off, but this had always been the case. Ancient kings and emperors had worn their riches in full display. But the increasing wealth of the eighteenth-century aristocracy was so much flaunted that it was driving an ever-firmer wedge between rulers and their people.

Let us take a closer look at these pre-Brummell styles, before we meet the man himself.

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The Carnival of Venice

The Venetian Carnival evokes thoughts of a centuries-old tradition of lavish celebration. A seemingly timeless event, with it roots in the thirteenth century, the carnival is known the world over for its elaborate costumes; as a playground for the nobility, the wealthy and the common man alike; a time of celebration, dancing, gambling, intrigue and just plain old craziness of every kind imaginable.

A more perfect backdrop for a steampunk story seems hard to imagine.

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