Everyday Fashions of the Thirties deserves its own review by merit of the decade’s sheer diversity in styles.
Where the 1930s start out looking very much like the 1920s, you can spy the beginning of that typical 1930s silhouette in the early years. This book really shows how, year by year, the fashion gradually stepped away from the flapper days of the Roaring Twenties and toward the defining look of the 30s.
Continue reading “Everyday Fashions of the 1930s”
Next in our Fashion History series of catalogue book reviews is not one but two books, covering the Jazz Age.
First up: Sears of the late steam and early diesel eras, during which fashion evolved from late Edwardian and Art Nouveau era into flapper styles and Art Deco.
It’s pretty amazing to see how these styles evolved fairly rapidly and then stuck to that typical 1920s silhouette for quite some time.
This book gives you a wide perspective of the evolution into typical Jazz Age fashions, which is great if you want a nuanced look at the sartorial evolution or an era-specific outfit.
The book contains styles for different body types (although not as many as it should, in my opinion) as well as a variety of children’s, women’s and men’s clothing.
Continue reading “Everyday Fashions, 1909-1920s”
As the title suggests, this catalogue book is all about hats. Collecting hat ads from the 1900s to the 1970s, it is a marvelous display of the evolution of headwear through the years.
Sadly, as is too often the case with books like these, all pages are in black and white, denying us the color stories behind the designs.
Even in grayscale, the book is pretty amazing if you’re into hats and want to know more which piece was appropriate for which period.
Continue reading “Decades of Hats”
This is a companion piece to my series of catalogue book reviews for those wondering which book will suit them best and whether or not it’s something they want to start with.
Now, what is to be taken away from these tomes that give us a visual glimpse in sartorial evolution from 1909 to 1959? Other than how fashion has evolved from the steam into the diesel and atomic eras?
Continue reading “Catalogue Books: What We Will (And Won’t) Learn from Them”
In my review of Patterns of Fashion 2, I mentioned that there are alternatives to that work. This is one of them. Authentic Victorian Fashion Patterns (1999) has all the garments a lady living in Victorian-era America was supposed to own. Plenty are geared toward the upper-class woman, but the books contains patterns for a variety of outfits.
All the patterns are reproductions from a dressmaker’s journal called The Voice of Fashion. (Of which this is not the only reproduction, but I digress.)
Personally, I find these patterns much easier to work with than those in Patterns of Fashion 2. Not only are we provided with a short introduction shedding light onto the cost of an American lady’s wardrobe, and what should be in it according to polite society at the time; the methods needed to turn these patterns into a garment that fits your body are pretty well explained.
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To those who habitually sew historical garments, the Patterns of Fashion series is probably nothing new. To those who don’t: Patterns of Fashions is a series often referred to by costubers, especially those working recreating garments from the past century and before.
Do they live up to the hype?
Continue reading “Patterns of Fashion 2: Englishwomen’s Dresses and Their Construction c. 1860-1940”