Ghost in the Shell: SAC_2045

Ghost in the Shell: SAC_2045

It’s 2045. War is the main industry and cryptocurrencies are invalid, leading to even more conflict and civil unrest.

Ghost in the Shell: SAC_2045 doesn’t start with a bang. It takes several episodes before the plot gains momentum and you’ve seen enough of the world, and the people in it, to really get into it. But it’s worth sticking with it.

Unlike such dystopias as Mad Max, the post-apocalyptic world of SAC_2045 is familiar to ours. It’s about real people. The series shows the impact of a large economical crisis and currency devaluation on average people.

The impact of the United States as a global power on other countries is another nice touch. It’s a bit of a cautionary tale, and this aspect of the anime is very well done.

What is less well done is the animation. I am not a fan of this style of cheap and basic-looking CGI at all, and I feel the anime deserves better.

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Altered Carbon, Season 2

Altered Carbon, Season 2

In our tradition of keeping reviews spoiler-free, you won’t find anything about the plot of Altered Carbon‘s Season 2 here. But to summarize: the Netflix series, based on the book of the same title by Richard K. Morgan, is set in a cyberpunk future where those of means can literally live forever. They store their consciousness on “stacks” and jump from one body — real or synthetic — to the next, indefinitely, never experiencing real death.

The story centers on, Takashi Kovacs, “the last envoy”, what that means, and his place in a society he doesn’t quite fit into.

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Alita: Battle Angels

Alita: Battle Angel

The cyberpunk adaptation of the beloved manga is definitely a step up from many other anime adaptations we’ve seen. With names such as Christopher Waltz and Jeniffer Connely, you know that at least the cast is strong and there to support the story.

You don’t have to be familiar with the setting of Alita, although you may be left with some questions if you aren’t. The entire history of the setting isn’t explained very well.

All we know is there’s a post-apocalyptic war and people are scrambling to survive in a mostly mechanical city. Cyborgs are common and some kind of evil villain lives in a splendid city in the sky.

It’s all a bit Hollywood-esque popcorn entertainment with, to be perfectly fair, a run-of-the-mill action/love story.

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High Tech Low Life

High Tech Low Life, the cyberpunk band from Okinawa, Japan, came as somewhat of a surprise to the European scene.

Not just a band, but an entire worldbuilding setting with their own characters and concept. Which is in itself nothing new, as many steampunk bands have done that. But their intent on doing better and saving the future is something done so well, I had to go and investigate.

So I sat down with the guys from High Tech Low Life to find out more about them and the terrible possible futures converging in 2069, which is, let’s face it, not that far away!

Which you can read right behind the piece about their music and concerts I witnessed. Stick with it til the very end, because there is a little giveaway!

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What Is Biopunk?

It’s unclear who coined the phrase “biopunk,” but presumably the term was invented after steampunk had been established as a genre. At least, it was not until steampunk had entered the mainstream that biopunk emerged.

Like steampunk, this proposed literary genre finds its origins in cyberpunk. It replaces the information technology of cybernetics with the synthetic biology of genetic engineering, but maintains most of the other elements of the genre.

Which begs the question: Should biopunk be considered a genre of its own? And if not, are steam- and dieselpunk really genres in their own right?

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