It’s 2045. War is the main industry and cryptocurrencies are invalid, leading to even more conflict and civil unrest.
Ghost in the Shell: SAC_2045 doesn’t start with a bang. It takes several episodes before the plot gains momentum and you’ve seen enough of the world, and the people in it, to really get into it. But it’s worth sticking with it.
Unlike such dystopias as Mad Max, the post-apocalyptic world of SAC_2045 is familiar to ours. It’s about real people. The series shows the impact of a large economical crisis and currency devaluation on average people.
The impact of the United States as a global power on other countries is another nice touch. It’s a bit of a cautionary tale, and this aspect of the anime is very well done.
What is less well done is the animation. I am not a fan of this style of cheap and basic-looking CGI at all, and I feel the anime deserves better.
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Kōtetsujō no Kabaneri, or Kabaneri of the Iron Fortress, is a beautifully done anime, set in a post-apocalyptic Japan.
At the time of industrialization, a mysterious plague broke out, turning corpses into kabane, a kind of blood-drinking zombie that is extremely hard to kill. Get bitten and you turn into one. Die and you turn into a kabane. Or, if you’re lucky, a kabaneri, a halfbreed of man and kabane. Survivors live in stations along the route of heavily armored trains, known as iron fortresses.
It is in these stations and on these trains that we find the characters of this story.
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If you are familiar with Rick and Morty, you already know the catchphrase of the titular character, Rick Sanchez.
Adult Swim, well known for cartoons with a twist, is currently reigning supreme with this mad science/atompunk cartoon.
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Big Hero 6 may seem like the umptieth Disney movie, especially the umptieth digitally animated one. Considering it’s by the team of Frozen, people may expect something along those lines. Nothing could be further from the truth. Big Hero 6 is one of the best things released by Disney since well, quite a while.
This Marvel/Disney collaboration is proof that both companies should work together more often. The film is not only a magnificent feat when it comes to animation, but also has the same kind of imaginative storytelling and feel of adventure that Marvel movies have become famous for in the last decade.
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The Legend of Korra is the sequel to the original Avatar: The Last Airbender cartoon from Nickelodeon. It’s set seventy years into the future from the original series and is a whole new show in its own right. Although it’s not necessarily to see Avatar first, I would still very much recommend it or you will miss out on a great many details and history of this story.
In the first season we meet some familiar characters, a whole brand new bunch and a brand-new setting.
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The Triplets of Belleville bills itself as being something different from anything you’ve seen before. This may not be 100 percent true, as it certainly takes its cues from some of the original animations dating back to the first filmic era and there have been other animators to play extensively with the medium. However, it is a film you don’t see every day with a rather unusual style. The film has a certain dark, dingy quality that’s hard to put your finger on.
Visually, there are a lot of muted colors, with browns and beiges predominating, similar to old sepia photographs. Likewise, character designs are somewhat grotesquely shaped, and some of the scene are just a little bizarre.
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It is difficult to describe the exact relationship between the 2001 anime Metropolis, directed by Rintaro, and Fritz Lang’s 1927 silent film of the same name without longwinded explanations or vague terms like “inspired by” or “loosely based upon.”
As a matter of fact, the anime is chiefly a filmic adaptation of a 1949 manga by Osamu Tezuka, best known as the creator of Astro Boy, which is purported to be “loosely inspired” by a few promotional images of the famous masterpiece of silent cinema.
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It must have been a nostalgic mood that gripped me when I decided to buy the boxset of The Adventures of Tintin. I was yearning back to rainy Saturday afternoons when the TV or a good book offered the only chance for some innocent high adventure. So I acted on this whim and made the purchase, remembering the brightly colored characters and escapist adventures of Tintin.
Although not strictly what we might call dieselpunk, being based quite directly on period comic strips, these Tintin films could still be considered as good examples of the pulp genre and so are worthy of our study.
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