European steampunk counts fewer numbers than their North American (and mainly US) counterparts. I’m pretty sure that if you would add up all the numbers in the entirety of Europe, you would get about the same as those for the United States alone (the US probably has more numbers than the entirety of Europe, come to think of it).
Originally there was a unison worldwide. Steampunks everywhere where in it for the same reason. If you spoke to steampunks from other continents, the same topics arose and likeminded individuals were easily found, no matter what country they hailed from.
Thankfully this is still the case, but sadly less and less so when one starts comparing some — frankly disturbing — recent developments in the movement in both aforementioned continents.
Continue reading “A Rupture Between Continents?”
SteamPunk Magazine is planning a number of articles about the “Occupy” movement in its upcoming, eighth edition, which is something I’m looking forward to. I’m not a fan of “Occupy” but curious how they’ll make the case that it’s relevant to steampunk.
At the risk of speaking before my turn, some of the comments to the announcement that “Occupy” would be part of the new SteamPunk Magazine worry me.
Writes Ladd, “The occupy movement and steampunk do seem to go hand in hand.”
Continue reading “Occupy, Steampunk Go Hand in Hand?”
Recently, an image of Justin Bieber wearing a steampunk glove or gauntlet was going around on the ætherweb.
There have been a wide range of reactions regarding the photograph. Many have voiced their disappointment or even disgust of steampuk going mainstream and someone like Justin Bieber using steampunk paraphernalia. Several commenters on Facebook and a number of forums and blogs have even declared steampunk to be dead because of it.
Well, excuse me, but could somebody please explain to me how Justin Bieber’s use of a steampunk glove and other apparel can spell the doom of a global subculture?
Continue reading “The Specter of Elitism”
The much anticipated final installment of Simon R. Green’s celebrated Nightside series is nearly upon us (the official release date is January 3, 2012) and let me start by assuring you that everything he said in his interview in Gatehouse Gazette 21 is true.
Let me first state that this review will contain no spoilers. I don’t want to ruin the experience for those that have to wait for the official release date, as that would be very unfair of me.
Continue reading “The Bride Wore Black Leather”
After the “Ottensian” Sky Captain and the World of Tomorrow (2004), maybe we will soon have a real “Piecraftian” dieselpunk movie as well.
Panzer 88 is an upcoming horror film that tells the story of a German Tiger tank in retreat from Russia in the winter of 1944. The five-man crew of the Panzer stumbles across a Jewish town that was previously the target of an SS purge. There they become the target of a vengeful supernatural entity “that will stop at nothing until they’re destroyed.”
Continue reading “Panzer 88: Nazi Madness in the Snow”
Back in the summer of 2009, I exchanged several messages with the creator of Brass Goggles in hopes of completing a full interview for publication in the Gatehouse Gazette. Unfortunately, after emailing back and forth a few times, I didn’t hear back from her anymore, but I would like to share with you these tidbits of Brass Goggles history. Continue reading “Tinkergirl Talks About Creating Brass Goggles”
Recently a group within the steampunk movement has stood up and loudly proclaimed we are a left-wing, politically active and even radical activist movement.
These people spread the word with vim and vigor and thus it may very well seem to many, especially those new(ish) to the scene, that this is what steampunk is about.
Continue reading “Popular Steampunk”
Not a long time ago, Nick wrote that steampunk means different things in different places. He talked about how in Europe, it is a kind of aesthetics while in other places, including the United States, it looks more like a cultural movement.
Because there are so many differences between people who enjoy the steampunk aesthetic, Nick suggested that it’s hard to call steampunk a subculture. Rather it should be understood as an aesthetic that’s applied in different ways. But it’s not just a matter of preference. When a lot of people around the world realize that they share appreciation of an art style or a genre or an interest in reviewing the possible political implications of the steampunk ethos, we are talking about a community that’s organized around a particular theme. While some marvel in the aesthetic, others are attracted to steampunk for another reason.
What we’re really talking about then is a movement.
Continue reading “Steampunk Is Not a Subculture — Yet”
Usually, when people seek a look for steampunk, or a setting for a character or story, their minds take them to the grimy streets of London or a city somewhat based upon that hub of Victorian life. Such is all well and good, with plenty of opportunity for urban adventure and the fantastical, technological elements which lend steampunk its science-fiction heart.
Continue reading “African Adventures”
When I first got the review copy of this book in my hands and read the back cover, I thought it was going to be a brilliant and hilarious read. I will happily admit that I’m a fan of the original Pride and Prejudice by Jane Austen and that I’m always open to a good humoristic approach to sequels.
But this, this was not what I expected, and not in a good way either. While the approach to the story — aliens trying to screw over civilization as we know it in Regency England — is a stroke of genius, the execution is terribly disappointing.
Continue reading “Mrs Darcy vs the Aliens”