Fight Like A Girl takes the listener on a seventeen-song musical journey almost told like the soundtrack to a tale spun by Emilie Autumn and I feel that some songs would actually benefit from visuals to enhance them. I’m pretty sure they’ll be better live than on record.
It’s a well-balanced album, some songs better than others, with lyrics matching to the background setting of madness, asylums and carnivals, revenge and all other things associated with it. There’s a good balance between anthems, melody and ballad, with Autumn’s voice remaining strong throughout, proving she isn’t bound to a certain genre or style and neither will she allow herself to be.
Continue reading “Fight Like A Girl”
As the war in Europe drew to a close, the Western Allies convinced themselves that the fall of Berlin would not be the end of it. The Nazis, they believed, would hunker down in the Austrian and Bavarian Alps and continue the war from a formidable Alpenfestung in the mountains.
Continue reading “The German National Redoubt That Wasn’t”
Late last year, when an image of teenage pop star Justin Bieber wearing something of a steampunk outfit appeared online, the vast majority of steampunk fandom seemed appalled. For such an icon of contemporary pop culture (or lack thereof) as Justin Bieber to delve into the steampunk aesthetic was anathema to steampunks’ self image as defying the mainstream culture. Some said this marked the end of steampunk as an alternative culture altogether.
That in itself, our Marcus Rauchfuß observed, was evidence of steampunk having gone mainstream already.
“When a scene is truly underground,” he wrote, “new members are always welcome. People are excited about and very welcoming toward newcomers. The scene has to grow to a certain point for a style-police to emerge.”
Yet that has happened to steampunk. And it’s not something we can blame Justin Bieber for.
Continue reading “Chauvinism in Steampunk”
If you hang around the dieselpunk crowd long enough, sooner or later you will hear someone retelling an experience about them being called a fascist or Nazi sympathizer because of the way they dress.
Granted, it seems if you are into dieselpunk, you can only go one of two ways: Either you use the Jazz-era American style (civilian and military) or you play with German Interbellum designs, in which case there seems to be no nonuniform option whatsoever (which does not make sense in itself, mind you).
Continue reading “Dieselpunk and the Shadow of Nazi Aesthetics”
We all know the image of the film noir detective. The gritty down-to-earth, hardened-by-life, dark and often handsome hero who saves the day from a downtown office while wearing a classy suit, fedora hat and a long trench coat. Often called upon by damsels in distress with perfect hair and little suits and dresses that make many a fan of the genre and time (1940s mainly) green with proverbial envy.
Continue reading “Film Noir Detective Style”
While we don’t often think about it, every moment we make decisions that might have serious consequences.
For example, if I had not taken a specific college course in a specific semester, I would have never met the woman of my dreams whom I would someday marry.
Taking this further, if I had never met the jewel of my eye, our daughter would have never been born. Not only was our meeting necessary for her existence but how many lives has she also touched?
Continue reading “Third Reich Victorious”
Dieselpunk didn’t start with a bang. It started with the crack of a whip.
When Indiana Jones blazed his way onto the big screen in 1981, he popularized a postmodern style of art that has continued to evolve over the past three decades. Looking back at Indy and the other proto-dieselpunk milestones, we can finally understand where the dieselpunk style came from, how it faltered in the late 1990s and see how it has finally grown into its own thanks to a worldwide subculture of artists and fans. To really look back though, we need to know what we’re looking for.
Continue reading “It’s Not the Years, Honey, It’s the Mileage: Dieselpunk Milestones”
Due to the uchronic nature of steampunk, a summary approach to Spanish history is unavoidable. The political instability, the loss of the colonial empire and other internal problems, such as a widespread illiteracy and a complete disregard for science, made of the nineteenth century a particularly tumultuous period in the history of Spain, a global power in decay.
Just to outline what “political instability” meant in this context, we need to bear in mind the French invasion, three civil wars, military coups, six kings, four republican presidents and five constitutions… in a period of one hundred years!
Despite the aforementioned difficulties, feudal structures vanished and a new liberal system was established: different constitutions settled people’s sovereignty, separation of powers and civil rights. The nineteenth century was not a period of grandeur for Spain, but precisely for this reason may be a challenging and exciting source of inspiration for the national and international steampunk community.
Continue reading “Steampunk in Spain”
While most steampunks generally support a revival of nineteenth-century aesthetics as a response to modern alienation, many don’t like to acknowledge that their attitudes could be considered ideological.
Indeed! The quote comes from the article “Leftists Constructs,” published in the recent issue of the progressive Overland magazine and written by steampunk blogger Diana M. Pho of Beyond Victoriana.
Notice the subtlety: “steampunk don’t like to acknowledge that their attitudes could be considered ideological.” Of course, Pho is here to tell us that they are, whatever we like it or not.
Continue reading “There We Go Again: “The Radicalism of Steampunk””
Earlier this week, June 14, was International Steampunk Day, but it seems nobody is quite sure why we picked this date.
Continue reading “Why Is June 14 Steampunk Day?”