While it can be fun to read alternate-history fiction, from time to time I do like to dip my toe into the more academic side of the genre and read through some of the more detailed counterfactual scenarios devised by those writing in that area, especially those titles that are structured more like historical texts. Some excellent examples that I’ve reviewed for the Sea Lion Press blog include Napoleon Victorious, by Peter G. Tsouras, and The Hitler Options, a collection of essays focused around differing scenarios that might have occurred in the Second World War.
For this review I’ve been reading another book in that style, courtesy of redoubtable publishers Frontline Books, who have once again favored us readers by heavily-discounting another tranche of their counterfactual titles. The first of that set is The Moscow Option, from none other than David Downing, legendary author of John Russel espionage series (Zoo Station, Stettin Station, etc.), set before and during the Second World War. This appears to be a title that he first had published in the mid-1970s and which was rereleased by Frontline Books in the distant past of 2001, and now converted to ebook format.
Continue reading “The Moscow Option”
In my review of Peter Tsouras’ Napoleon Victorious, I briefly discussed the idea that the alternate-history genre can roughly be split into two broad “spheres” that nestle comfortably at either end of the genre and only occasionally overlap.
The first is best described as “traditional” fiction, i.e. those novels and anthologies that are focused on plot and atmosphere and character development.
The second sphere consists of what authors, editors and often readers seem to prefer labeling as “counterfactual” titles: far more formal and rigid essay-style counterfactual publications that focus exclusively on cause-and-effect explorations of a change or changes in a historical scenario.
Continue reading “The Hitler Options”
There are innumerable titles in the alternate-history genre that deal with a Great Britain occupied by the Nazis in the aftermath of their victory in the Second World War, from Len Deighton’s classic SS-GB to more recent works like C.J. Sansom’s lengthy and somewhat controversial Dominion (review here), not to mention many other titles published by indie authors.
There are so many, indeed, that it has become a distinctly tired trope within the genre, almost as stale as the overarching concept of the Third Reich Victorious scenario in general. Yet it cannot be denied that there is something to the concept of an occupied, fascist Britain that (perversely) appeals to me regardless of how uninspired it has become, and I’m always on the lookout for any alternate-history titles that offer an “alternate” take on the scenario and potentially rejuvenate it in the process.
After a great deal of searching through the Kindle charts and on social media, I was finally able to come up with a potential candidate: Succession, by Michael Drysdale.
Continue reading “Succession”
In my time spent exploring alternate-history fiction , I’ve come to the (no doubt entirely unoriginal) conclusion that there are two different types of publications in the genre; two broad “spheres” that nestle comfortably at either end of the genre and only occasionally overlap.
The first can perhaps be best described as “traditional” fiction, i.e. those novels and anthologies that are focused on plot and atmosphere and character development — whether they be an alternate-history crime thriller (In the Case Where Your Saviors Hide), legal thriller (Defying Conventions), naval-focused military history anthology (Those in Peril) or even espionage and politics (the classic Agent Lavender).
The second sphere consists of what its authors, editors and often readers seem to prefer labelling as “counterfactual” titles, far more formal and rigid essay-style counterfactual publications that focus exclusively on cause-and-effect explorations of a change or changes in a historical scenario. Almost inevitably these are military history-focused, with titles either following the what-if format or “X Victorious”, where X can stand for, variously, the Third Reich, Dixie, the Rising Sun and other nations or entities in history.
Both spheres have their pros and cons, and until very recently I had limited myself to reviewing titles in the traditional fiction sphere, as there were so many that I had discovered while wading my way through Kindle listings and social media posts. However, in my teenage years I had been an avid reader of counterfactual military history collections, and I still have a certain fondness for them. So when I discovered that Greenhill Books and Frontline books — the main publishers of many counterfactual collections — had significantly reduced the prices of many of their titles in ebook format, it seemed like the ideal time to dive back into that sphere.
Continue reading “Napoleon Victorious”