The first steampunk-themed web series I came across, and I guess the first one in general, was Riese. Since then, a fair number of such productions have been attempted, with varying budgets and even more varying rates of success. The strangest one I came across was a story completely told through the medium of dance. I cannot remember the name and I found it extremely odd. It was on YouTube, should somebody desire to go looking for it.
On the planet Aradius, the human interlopers have suppressed the indigenous Arid for years because of their link to the planet itself, called the Wei, and their fear thereof. This resulted in a near genocide of the Arid race and all kinds of unpleasant side-effects that both remaining Arid people and humans alike suffer from.
Centuries later, the planet is a wasteland and humanity is led by the tyrant Griffin, who uses his deacons to hunt down the Arid and their rebel leader, Moss.
Enter our reluctant hero, Hirokin, who crosses paths with the despot and ends up with the choice between standing up for the Arid and leading their rebellion so they can once again be free — or avenging his family. Continue reading “Hirokin: The Last Samurai”
It was a long time in the making, but now it is finally out: Iron Sky. It was released in Germany on April 5 and this was the day I went to see it.
The whole movie is just as absurd as the story promises: Space Nazis who escaped to the Moon in 1945 now want to come back to conquer the Earth.
The scouting mission of the Fourth Reich gets an unexpected ally who leads them to an even more unexpected ally. Both allies are rather temporary, obviously, but what they achieve and who picks up on and uses their slogans… Continue reading “Iron Sky”
First of all, allow me to admit I have not yet read the original book A Princess of Mars by Edgar Rice Burroughs on which this movie is based. What I do know from reading on the subject and talking to people who read it is that Disney has — as is to be expected with these things — taken some liberties with the story.
Visually, this movie is fantastic. The costumes, effects and characters are beautifully done. The airships, well, I could rave on for quite a while on how fabulous these Davincian flyers look. This entire movie is aesthetically pleasing and has quite a few steampunk elements to it. Continue reading “John Carter”
My Week with Marilyn was released a while ago, but we didn’t have a chance to see it here in the Low Countries until a couple of weeks ago.
The film is a wonderful and nostalgic adventure for the likes of us who would rather the Golden Age of Hollywood never ended.
Michelle Williams is spectacular in the role of Monroe. The looks, costumes and makeup are fabulous. The entire “feel” of Marilyn is that of an escape from the visual effects extravaganzas of modern-day film making in favor of character and drama.
In this sense, it’s almost on par with The King’s Speech, although the plot is secondary here to experience. Story-wise, My Week With Marilyn is pretty predictable, but it’s touching all the same. Continue reading “Two Hours With Marilyn”
J. Edgar, starring Leonardo DiCaprio, was released in the United States late last year, but we didn’t have a chance to see it here in Europe until last week.
The biopic about the former FBI director, directed by Clint Eastwood, is a great history piece but ultimately disappoints because there isn’t much of a storyline.
DiCaprio absolute submerges himself in the role and excels as “the most powerful man in America.” The costumes, the décor, the lighting all enforce a sense of nostalgia that should appeal to dieselpunk enthusiasts. The movie shows a lot of history, from the anarchist hysteria of the early twentieth century to the 1930s war on Crime to fears of communist subversion in the 1950s and 60s. Continue reading “J. Edgar Falls Short”
Guy Ritchie is at it again with his spectacular reimagination of the great detective. Robert Downey returns as the most outrageous version of Sherlock Holmes we’ve ever seen and Jude Law is impeccable as the loyal Dr Watson, who is again thrust into an adventure quite against his will.
After the “Ottensian” Sky Captain and the World of Tomorrow (2004), maybe we will soon have a real “Piecraftian” dieselpunk” movie as well.
Panzer 88 is an upcoming horror film that tells the story of a German Tiger tank in retreat from Russia in the winter of 1944. The five-man crew of the panzer stumbles across a Jewish town that was previously the target of an SS purge. There they become the target of a vengeful supernatural entity “that will stop at nothing until they’re destroyed.” Continue reading “Panzer 88: Nazi Madness in the Snow”
Let me start by saying that this version of The Three Musketeers may very well be the definitive clockpunk movie.
Those who saw the trailer already knew that this was no canon Alexandre Dumas movie version of the classic tales. The airships, explosions and battle scenes gave that away pretty clearly.
Now we all know that when Hollywood gets involved, it’s either going to suck so badly you wish you could get your time and money back or it’s going to be epic. Thankfully this movie is the latter, and, lo and behold, this retelling of Dumas’ story rocks the airship like you wouldn’t believe. Continue reading “The Three Musketeers”
Sucker Punch tells the story of Babydoll, who, after the death of her mother, ends up in Lennox House for the mentally insane due to the machinations of her evil stepfather.
It becomes quite clear from the start that if she wants to survive with her cranial capacities intact, she’ll have to escape. Enlisting the friends of fellow inmates Rocket, Blondie, Amber and the reluctant Sweet Pea, she starts on a mission to gather items that will aid them in their escape.
To help her in all of this, Sweet Pea withdraws into her own fantasy world, which seems to be some kind of parallel to the grimy reality she really tries to survive in. Continue reading “Sucker Punch”