1939 New York World's Fair

The World of Tomorrow: 1939 New York World’s Fair

From the official 1939 New York World’s Fair pamphlet:

The eyes of the Fair are on the future — not in the sense of peering toward the unknown nor attempting to foretell the events of tomorrow and the shape of things to come, but in the sense of presenting a new and clearer view of today in preparation for tomorrow; a view of the forces and ideas that prevail as well as the machines.

Continue reading “The World of Tomorrow: 1939 New York World’s Fair”

Agent Carter

Agent Carter
Agent Carter

Agent Carter is one of Marvel’s recent additions to their cinematic universe. Peggy Carter was first introduced in Captain America: The First Avenger, not only as Captain Roger’s love interest but as a lady of flawless class, style and competence. It’s no surprise the character became loved enough to earn her own TV series.

The time is 1946 and things have radically changed for Peggy. Where she was a valued part of anti-Hydra and -Nazi actions during World War II, she is now the sole female field agent of the Strategic Scientific Reserve — and grossly overlooked by her male co-workers. Continue reading “Agent Carter”

The Rocketeer and The Spirit: Pulp Friction

The Rocketeer and The Spirit: Pulp Friction
The Rocketeer and The Spirit: Pulp Friction

The Rocketeer returns from the presses of IDW Publishing with an all-new adventure. This time he’s not alone but teams up with that other beloved dieselpunk pulp hero: Will Eisner’s The Spirit.

Which is great news for fans of both heroes, as this particular crossover is pretty brilliant.

Even though it combines two very different settings, the author and artists do a fantastic job representing both and combining these worlds in a realistic fashion that does the two of them justice. Continue reading “The Rocketeer and The Spirit: Pulp Friction”

Rocketeer: Hollywood Horror

Rocketeer: Hollywood Horror
Rocketeer: Hollywood Horror

It’s the fourth installment of IDW Publishing’s revamped Rocketeer series already and, to be honest, I’m still not sure where they’re taking it. I’m not even sure I like what they’re doing to the much beloved pulp superhero.

It’s not so much the fact that every story they change writers and artists that irks me. There is a lot of talent out there and it’s great that different people get a stab at The Rocketeer. As long as they’re competent storytellers and make excellent art, I’m fine with it. Continue reading “Rocketeer: Hollywood Horror”