Much of the Howard Hughes legend was well dramatized in the hit Hollywood film The Aviator, starring Leonardo DiCaprio. With some alterations for narrative, the film was a great success and provided the viewer with a good understanding of Hughes and his eccentricities.
According to the blog The Flying Fortress, there are “two flavors of dieselpunk”: a pre-nuclear “Ottensian” dieselpunk (named after me!), which revels in the bliss and progress of the 1930s, and a post-nuclear “Piecraftian” dieselpunk, which is something post-apocalyptic. Continue reading “The Meaning of Decodence”
It is difficult to describe the exact relationship between the 2001 anime Metropolis, directed by Rintaro, and Fritz Lang’s 1927 silent film of the same name without longwinded explanations or vague terms like “inspired by” or “loosely based upon.”
As a matter of fact, the anime is chiefly a filmic adaptation of a 1949 manga by Osamu Tezuka, best known as the creator of Astro Boy, which is purported to be “loosely inspired” by a few promotional images of the famous masterpiece of silent cinema. Continue reading “Rintaro’s Metropolis”
The 1927 film Metropolis is a milestone in the cinematographic genre of science-fiction and many reviews have been written about it, so I shall concentrate on two particular aspects and hope I am not plagiarizing someone else’s ideas. Continue reading “Future Lessons from the Past”
Punk is not a synonym for era. Rather the era is defined by the prevalent technology ever present in the context of a science-fiction world.
In actuality, there is confusion in regards to the differentiation largely of a literary (prevalent in cinema, games and literature) understanding of pulp fiction, alternative history as well as modern steampunk with the genre of dieselpunk. It must be understood that dieselpunk has borrowed and is influenced by elements from all three — which creates the entity that is dieselpunk as understood today. Continue reading “The History of Dieselpunk III: Diesel’s Punk”
I’ll slip in a current-affairs reference into this article for, let’s face it, recession’s not exactly painting the landscape in bright, Wizard of Oz Technicolor shades of glorified self-smugness. It is grey and gloomy; distinct features of the misery of dreary, dire dystopia.
But I will not go so far as to say that society at the moment is sliding deeper into Orwellian doom, because that would be a rather grim view and detract from the fact that this is meant to segue into a positive review about a jolly good film. Continue reading “Brazil”
This shows Hollywood stars Clark Gable and Joan Crawford indulging in a cigarette in the 1934 film Chained.
Despite the many health risks associated with smoking tobacco, in the Golden Era, cigarette smoking was a fashion statement that showed the smoker to be a classy person. Indeed, many a student bedroom is adorned with the iconic photograph of Audrey Hepburn with cigarette holder clinched betwixted gloved fingers. Continue reading “Tobacco’s Golden Era”
Whenever a new technology is introduced, whether on the battlefield or at home, there is always a brief period when inventors, unfamiliar with the new concepts, begin experimenting with designs and plans, trying to push innovation to the limit. While these experiments occasionally produce useful results, the great majority end up on the scrap heap of history.