Christine is a beautiful retro-style gal, living all alone in a house that wouldn’t look amiss in the latest incarnation of the horror classic The House on Haunted Hill.
She doesn’t live alone, however, sharing her home with a variety of monsters (literally) ranging from Rankle, the mummified cat; Rose, who is assumed to be mostly a raccoon; and Edgar, who looks like he could be a retro-style werewolf.
In 1988, Channel 4 adapted Chris Mullin’s 1982 novel A Very British Coup for television. Although the country was well in the middle of the Thatcher boom at the time, the three-part miniseries harkened back to the 1970s and early 80s and its post-industrial gloom.
Under the last Labour government before Margaret Thatcher came to power, Britain had been plagued by strikes and energy blackouts, culminating in the humiliation of the world’s former superpower requiring a bailout from the IMF.
In Mullin’s story, it wasn’t Thatcher who won the election but the socialist Harry Perkins. The character is loosely based on Tony Benn, the real-world leader of the Labour left.
Perkins (played in the miniseries by Ray McAnally) is determined to make good on his election promises: (re)nationalizing industries, breaking up big media, withdrawing from NATO and scrapping Britain’s nuclear deterrent. His program spooks the British establishment. Spymasters, business tycoons and career civil servants conspire to bring Perkins down. Continue reading “A Very British Coup”
In 1946, the United States Air Force began to study the feasibility of nuclear-powered aircraft. Only one plane, built by Convair, was ever tested. The problem, as Steve Weintz puts it in The National Interest, was that leaders “couldn’t figure out how to pay for it or why they needed it.” Continue reading “America’s Atomic-Powered Aircraft”
When French president Charles de Gaulle agreed to Algerian self-determination in 1961, his right-wing supporters were outraged. They had returned the general to power only three years earlier so he could put down the bloody uprising in France’s most prized colony. Some of the pieds-noirs, the Algerian French, and their sympathizers in the army banded together in the paramilitary Organisation de l’armée secrète (OAS) to stop the independence process with assassinations and bombings.
Seven Days in May, based on the highly successful novel of the same name by Charles W. Bailey II and Fletcher Knebel, tells the story of an attempted military putsch in the United States.
It’s the early 1970s. An unpopular President Jordan Lyman (Fredric March) has signed a nuclear disarmament treaty with the Soviet Union and is facing strong opposition from the military and the right. The charismatic Air Force General James Mattoon Scott (Burt Lancaster) has convinced all but one of the Joint Chiefs of Staff to support him in a coup against the president. Colonel Jiggs Casey (Kirk Douglas), director of the Joint Staff, finds out about the plan and teams up with Lyman to stop it. Continue reading “Seven Days in May”
Los Angeles is a dieselpunk’s delight with its collection of Art Deco architecture, ranging from its famous City Hall to the Art Nouveau-ish Bullocks Wilshire to the iconic Eastern Columbia Building to the heavyset headquarters of the Los Angeles Times.
At a glance, this doesn’t look too different from your average Cold War map. Take a closer look, though, and you will notice some oddities. Half of Austria seems to be missing. East Germany is much bigger than it should be. Greece isn’t in NATO, but Sweden is.
What if the laptop, mobile phone and MP3 player had been invented in the 1970s? Alex Varanese gives us a glimpse at what might have been if the future had happened sooner. Continue reading “The Art of Alex Varanese”
As soon as the Second World War was over, military strategists started planning for the next one.
Life magazine reported in its November 19, 1945 edition that the head of the United States Air Force, General Henry H. Arnold, had warned that technologies developed during the last war — atomic bombs, ballistic missile, long-range bombers — could make possible “the ghastliest of all wars.”
The destruction caused by nuclear weapons would be so swift and terrible that a “war might well be decided in 36 hours.”