Alternate World War II histories typically either kill Hitler, to end the war quickly or avoid it altogether, or correct one of his many strategic mistakes (invade Russia in winter, needlessly declare war on the United States), to enable an Axis victory.
There were many more inflection points, however, any one of which could have steered history in another direction. If you want to change World War II, here are 22 ways to do it.
Continue reading “How to Change World War II”
Leos “Okita” Ng is an artist from Singapore with more than a few steampunk works in his portfolio.
Continue reading “The Art of Leos Ng”
My last story, “Who Killed Steampunk?“, provoked a lot of comments, both here and on social media. I’ve tried to read all of them, but I couldn’t respond to everyone individually, so let me follow up here.
Most of the criticism fell into one of three categories:
- You’re ignoring the convention and music scene.
- You’re trying to force your view of steampunk on others.
- You’re blaming “social justice warriors” and providing a refuge to misogynists and racists.
Each of these arguments deserves a more thorough response than fits in a tweet.
Continue reading “Who Killed Steampunk? A Response to My Critics”
By the middle of the nineteenth century, Barcelona was bursting at the seams. The city hadn’t expanded beyond its medieval walls, but its population had grown almost 50 percent between 1800 and 1850. The congestion was contributing to outbreaks of disease. There was clearly a need for expansion, but it wasn’t until 1853 that the central government in Madrid allowed Barcelona to tear down its walls.
Two expansion plans were introduced, one by Antoni Rovira i Trias, which was favored by the Barcelona city council, and another by Ildefonso Cerdá, which was favored by Madrid. Neither was implemented in full, but Cerdá’s, with its distinctive hexagonal blocks, proved by far the most influential.
Continue reading “Unbuilt Barcelona”
Nicholas Maxson-Francombe is a Belgian artist, many of whose brilliant digital paintings are set in a dark steampunk world that he calls “1895 Welded Iron”. He is also a concept artist for the exciting dieselpunk project Acropolis.
Continue reading “The Art of Nicholas Maxson-Francombe”
It’s getting harder to maintain that steampunk is just resting. It may not be dead, but it certainly isn’t as alive as it used to be.
I was never big on steampunk events and I’m not into steampunk music, so I can’t speak for those scenes. But when it comes to art, fiction and the online fandom, there has been a noticeable decline.
Continue reading “Who Killed Steampunk?”
Andree Wallin is a concept artist from Sweden who worked on Star Wars: The Force Awakens (2015) and Rogue One (2016). His personal artwork includes landscapes and scenes that would be perfect for a steam- or cyberpunk story.
Continue reading “The Art of Andree Wallin”
Charles-Maurice de Talleyrand proposed dividing up Belgium between France, Germany and the Netherlands. Heinrich Himmler fantasized about crowning himself regent of an independent Burgundy. The Allies in World War II had multiple plans for Balkan federation. Iraq and Libya both pushed plans for Arab unification.
The only things these schemes have in common is that nothing came of them. Belgium still exists. Burgundy doesn’t. The Balkans and the Arab world are even more divided.
What if history had taken a different turn? Here is a look at the countries that almost existed.
Continue reading “Countries That Almost Existed”
Dim (short for Dimitris) Martin is a talented artist from Greece. I first found his work when he did one of the covers for the excellent dieselpunk comic series Skies of Fire (our review here). His portfolio includes many more dieselpunk works, spanning the spectrum from decopunk to noir to Weird War.
Here’s a taste.
Continue reading “The Art of Dim Martin”
Most World War III scenarios start with a Soviet first strike, but it were the Western Allies who first planned to use nuclear weapons in Europe to offset the Red Army’s numerical superiority.
From Britain’s Operation Unthinkable to America’s Operation Dropshot, these war planes help us imagine a land war in Europe fought only partially with atomic weapons.
When technology progressed in the 1960s — more and bigger atomic bombs, intercontinental ballistic missiles — NATO moved away from integrating nuclear weapons in its war planes. It envisaged either a conventional land war or mutually assured destruction with nothing in between.
The Soviets moved in the opposite direction. Joseph Stalin saw little use for nuclear weapons, but the West’s technological edge compelled his successors to integrate them more seriously in their offensive plans. It wasn’t until the 1980s that both sides abandoned the tactical use of nuclear weapons.
Continue reading “World War III Without Missiles”