Tamás Gáspár’s is the sort of art you expect to find in a midcentury pulp detective novel. Bank robbers, Al Capone and even the famous Dutch spy Mata Hari make an appearance. Continue reading “The Art of Tamás Gáspár”
BioShock 2 came out almost a decade ago, but I didn’t have a chance to play it until now.
Indeed, I haven’t played many video games at all in recent years, so I don’t have anything to compare the graphics and gameplay against. I will focus on the storyline and the overall experience of the game in this review. Continue reading “BioShock 2”
One of the earliest descriptions of a dieselpunk world was written by “Piecraft” in 2006. He envisaged an alternate 1950s “where the Great Depression never arrived and World War II is still being fought as a prolonged Cold War.”
Japan continues its progress toward technological modernization, developing the earliest computers and terminals. Nazi scientists continue experimenting by taking the route of biotechnology, sparking off a genetic revolution of bio-mods, clones and organ harvesting, while the Americans and British take both of these technologies to develop mind-control devices, spawning man-machine interfaces and sparking the atomic-powered machine age.
Let’s explore this diesel-fueled world in the first installment of a new series we’ll call worldbuilding.
We’ll draw on Len Deighton’s SS-GB (1978) and the BBC serialization (2017), Philip K. Dick’s The Man in the High Castle (1962) and the Amazon drama series (2015-present), Robert Harris’ Fatherland (1992), the video game Wolfenstein: The New Order (2014), the art of Stefan Prohaczka and Sam van Olffen, and the real-life Nazi Generalplan Ost, among other sources. Continue reading “A World in Which World War II Never Ended”
In Andrej Troha’s decopunk universe, the Americas have been unified in a single state, the Soviet Union is investigating strange phenomena in the Arctic and flight has been made impossible by stratospheric nuclear experiments, so monorails and flying cars are now the preferred modes of travel. Continue reading “The Art of Andrej Troha”
The 1942 World’s Fair in Rome was an opportunity for Benito Mussolini to celebrate twenty years of Fascism and show to the world what progress Italy had made.
The fair never happened. World War II did. But Mussolini still built a complex for the Esposizione Universale Roma (EUR). Continue reading “Mussolini’s New Rome”
Seven Days in May, based on the highly successful novel of the same name by Charles W. Bailey II and Fletcher Knebel, tells the story of an attempted military putsch in the United States.
It’s the early 1970s. An unpopular President Jordan Lyman (Fredric March) has signed a nuclear disarmament treaty with the Soviet Union and is facing strong opposition from the military and the right. The charismatic Air Force General James Mattoon Scott (Burt Lancaster) has convinced all but one of the Joint Chiefs of Staff to support him in a coup against the president. Colonel Jiggs Casey (Kirk Douglas), director of the Joint Staff, finds out about the plan and teams up with Lyman to stop it. Continue reading “Seven Days in May”
As the Allies closed in on Hitler’s Germany in late 1944 and early 1945, a desperate Nazi regime turned to “wonder weapons” in a final effort to turn the tide in the war.
The best-known as the V-1 and V-2 rockets, which rained down on London by the hundreds but failed to demoralize the British. Others, such as the V-3 cannon and Schwerer Gustav railway gun, were barely used. Others yet, like the German atomic bomb and Die Glocke, either barely advanced beyond the drawing board or never existed at all. Continue reading “Wonder Weapons of the Third Reich”
Jeremiah Humphries’ art includes a few steam- and dieselpunk pieces, including a drawing of Nemo’s Nautilus and a railway gun that seems inspired by Nazi Germany’s Landkreuzer. Continue reading “The Art of Jeremiah Humphries”
Never Was, then called The Gatehouse, launched its first blog in February 2009. Before then, we had been a hand-coded HTML website.
Several members of our message-board community, the Smoking Lounge, joined as bloggers, including Kevin Cooney, Hilde Heyvaert and Ella Kremper. Tome Wilson of the Dieselpunks community wrote a weekly “Dieselpunks News” column.
In April 2010, The Gatehouse switched to a picture blog on Tumblr. We wouldn’t have a proper blog again until October 2011. The website you are reading now is a continuation of that third blog.
Many of the posts from the first blog have been lost, but I have been able to recover some. Continue reading “Blog Posts Recovered from 2009”
Los Angeles is a dieselpunk’s delight with its collection of Art Deco architecture, ranging from its famous City Hall to the Art Nouveau-ish Bullocks Wilshire to the iconic Eastern Columbia Building to the heavyset headquarters of the Los Angeles Times.
If it had been up to the following architects, though, the city would have been turned into a theme park of postwar, Atomic Age architecture as well. Continue reading “Unbuilt Los Angeles”