Occasionally a book comes along that is a must-have for the library of any dieselpunk. Joshua Zeitz’ Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern is one of those books.
Referred to as Armistice Day, Remembrance Day, or Veteran’s Day, November 11 has a special meaning for dieselpunks. The “diesel era” (1920s-40s) arose out a meaningless war (World War I), saw one of the epic wars of history (World War II) and died a slow death in another meaningless war (Korean War). One could say that dieselpunk is born in blood, lives in blood and dies in blood. Continue reading “Adversity and the Human Spirit”
While we don’t often think about it, every moment we make decisions that might have serious consequences.
For example, if I had not taken a specific college course in a specific semester, I would have never met the woman of my dreams whom I would someday marry.
Taking this further, if I had never met the jewel of my eye, our daughter would have never been born. Not only was our meeting necessary for her existence but how many lives has she also touched? Continue reading “Third Reich Victorious”
Often when one reads of the Jazz Age, the term is limited to the 1920s. But there’s a relatively young philosophy known as dieselpunk that is trying to keep the glory of the Jazz Age alive.
The term “dieselpunk” was first used by Lewis Pollak in 2001 to describe his role-playing game Children of the Sun. Dieselpunk has since grown far beyond his initial usage to describe a philosophy that forms the basis of a subculture and art movement with distinctive music, art, fiction and cinema.
Dieselpunk philosophy is a postmodern phenomenon that comprises three aspects: decodence, contemporary and punk. To understand this young philosophy one must understand each of these aspects. Continue reading “The Philosophy of Dieselpunk”